Word: clair
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Dates: during 1960-1969
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...many a casual concert goer, the name Claude Debussy suggests a moody, vaporous music of almost monotonous sweetness and grace. Anybody who ever sat down to a piano lesson has tinkled through Clair de Lune, and since the great Toscanini performances of the 1930s, it has been almost impossible to get through a concert season without at least one rendering of that virtuoso war horse La Mer. But there is another view of Debussy-one that audiences are being reminded of more and more often in the centennial year of his birth. Debussy was in fact, a revolutionary...
...imperturbable, he was just the sort of witness to enrage emotional Stuart Symington. With a confident smile, Humphrey dismissed the charges of exorbitant profits as "bunk" and "baloney." Right to their faces, Humphrey told South Carolina's Senator Strom Thurmond that he was "confused" and California's Clair Engle that he was "mixed up." To a big company like Hanna (total assets: $450 million), he said, the smelter deal was "small potatoes"; for that matter, the nickel contracts were the "tag end of our business." He had, he said, been too busy with more important Hanna interests...
...moon-or, for that matter, the sun-shines rarely on the River Sambre. But all summer long the roads to Maubeuge have been jammed with moonstruck vacationers, honeymooners and touring rubbernecks, all lured there by what promises to become Europe's next popular hit-a tango called Un Clair de Lune à Maubeuge (Moonlight at Maubeuge...
...Despondent, Perrin tried suicide (poison and gas). On recovering, he took his psychiatrist's advice to drive a cab in Paris for the therapeutic value. Annoyed by gabby passengers, Perrin responded to their chatter with the same contemptuous wisecrack: "Mais tout (a ne vaut pas un clair de lune à Maubeuge" (But all that is not worth the moonlight at Maubeuge)-a retort all the more effective in that Perrin had never set eyes on Maubeuge...
Just a Hobby. Scherbaum sailed through the Brandenburg No. 2 last week as if it were as simple as Au Clair de la Lune. Nonchalantly placing his weight on one leg, the egg-shaped instrumentalist blew through the intricacies of the high coloratura with characteristic ease; he blasted a final, full-volume flourish that brought an audible gasp from the audience. Chances are that he could have gone through the whole piece with his eyes shut: he has recorded the concerto for 14 different labels, has become so thoroughly identified with it that in Western and Eastern Europe alike...