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...master martial arts before the film began shooting in Australia. In Chocolat, directed by Lasse Hallstrom, director of last year's Oscar-nominated The Cider House Rules (along with other acclaimed films including What's Eating Gilbert Grape), Moss can be seen as the conservative and strict Caroline Clairmont...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: Woman on the Verge: An Interview with Carrie Anne Moss | 12/8/2000 | See Source »

...love being a woman. We are courageous and emotionally wealthy," Patsy Clairmont declares. The silver-haired author of Normal Is Just a Setting on Your Dryer is framed by four overhead TV screens as she roams a circular stage of the Memorial Coliseum in Portland, Ore., one of a series of speakers commanding the attention of the 12,000 women gathered there. She stops abruptly and pulls hundreds of rubber bands out of a bag, an embarrassment of riches meant to represent the psychic entanglement she has had to deal with. "This is me," she says. "All of me." Agoraphobia...

Author: /time Magazine | Title: Female Of The Species | 7/13/1998 | See Source »

...Clairmont isn't alone in her troubles. Another keynote speaker was hospitalized for depression, another lost two of her sons, a third was abandoned by her father. Their burdens differ, but they are all Women of Faith, adherents of an evangelical Christian movement that is rapidly becoming both complement and antidote to the all-male Promise Keepers. And despite the problems, the tenor of the weekend becomes resolutely cheerful. "Joy" is invoked almost as frequently as God. Members of Women of Faith don't trade promises or admonishments; they swap stories and compliments. Since 1996, when the for-profit enterprise...

Author: /time Magazine | Title: Female Of The Species | 7/13/1998 | See Source »

...always been caged inside the beautiful mad creatures he imagines artists to be. No distance, no irony, no coherence, no prisoners. And no surprise that Russell now turns to Gothic, Stephen Volk's script about the famous night in 1816 that Byron (Gabriel Byrne) spent with his mistress Claire Clairmont (Myriam Cyr), his lover John William Polidori (Timothy Spall), his friend Percy Bysshe Shelley (Julian Sands) and Shelley's wife-to-be Mary Godwin (Natasha Richardson). From that spectral evening emerged Mary's idea for her novel Frankenstein...

Author: /time Magazine | Title: Cinema: Still Crazy After All These Fears | 4/20/1987 | See Source »

Frankenstein was a modern horror story; Russell means Gothic to be the last horror show. Byron is Count Dracula, feeding on his guests' dreams and demons. Shelley is every weak hero, Polidori every mad doctor, Clairmont every wench whose lust turns her into a succubus. And Godwin, racked by visions of her stillborn child, becomes the cursed mothers of The Exorcist and Rosemary's Baby. From the labor of her nightmares, she gives birth to literature's most enduring monster...

Author: /time Magazine | Title: Cinema: Still Crazy After All These Fears | 4/20/1987 | See Source »

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