Word: clairoled
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...Interestingly, women apparently aren't as fearful of the negative professional implications of gray as the personal ones. Clairol research reports that the 71% of women who dye their hair do so in order to "look and feel more attractive." Another powerful motivator for gray-haired women to dye, according to Clairol's in-house creative director of color and style, Marcy Cona, is to live the fantasy that they're still 30 or 35 instead of 45 or 60. But rather than sell it as a fantasy or a lie ("Is it true blonds have more fun?"), the postmodern...
...1950s - when the baby boomers were being born and big cosmetics marketers introduced easy dyes for home use, advertising them on the new mass medium of television - that American women began to dye their hair en masse. Until then, women who colored their hair risked being considered trampy adventurers. Clairol's 1956 advertising - campaign slogan "Does she or doesn't she?" was specifically designed to remove the stigma attached to Mae West-Jean Harlow-style hair coloring with the reassuring answer: "Hair color so natural, only her hairdresser knows for sure." And American women never looked back. As Nora Ephron...
...Perlmutter, who had bought control of the distressed outfit the previous year, hired as CEO Peter Cuneo, who had turned around such companies as Remington, Clairol and Black & Decker. Under the duo's guidance, Marvel slowly transformed itself into a conservative but lucrative licensing business. "I always tell people that when you come out of bankruptcy, it's like chemotherapy. You may be cured of cancer, but you're still very weak," says Cuneo, now a Marvel vice chairman. "But then along came Spider...
...starvation and cosmetic surgery. Her lost pounds hadn’t completely disappeared, though; whatever extra pounds she’d shed from her hips had ended up in her bra. Jennifer’s hair, which I remembered as dishwater brown and riotously curl, had been bleached Clairol 252: Never Seen in Nature Blonde. It was also so straight it looked washed, pressed and starched...
...exhibit confronts queer theory from myriad artistic perspectives. In one work, images of 1950s magazine models are intermixed with depictions of lesbian love under the Clairol logo “Does She, or Doesn’t She?” Another image presents an alternative depiction of Eve, showing the biblical figure as a man holding two apples up as breasts. Other works are confrontational, like a portrait of a naked woman pointing a gun and a “Self-Portrait of the Artist as a Young Man,” a collection of snapshots...