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From Montreal last week the Groenland-Wal flew to Ottawa, headed toward Detroit. She arrived there at the end of a towrope after being forced down on Lake St. Clair by a broken pump. After visiting Chicago, the ship's next destination was the Pacific Coast. Despite some-what half-hearted denials by Capt. von Gronau, it appeared certain that he would carry on along the approximate route flown last year by the Lindberghs from Alaska to Siberia, the Kuvile Islands, Tokyo, that he would continue around the world to home...

Author: /time Magazine | Title: Aeronautics: Again, von Gronau | 8/8/1932 | See Source »

...given spot in the floor and see his weight indicated on the wall in front of him. The bathroom, not of porcelain which may crack or "craze," is of rough- surfaced iron, | in. thick, coated with enamel. A color may be baked on: T'ang red, clair de lune blue, Ming green, rose du Barry, orchid de Vincennes...

Author: /time Magazine | Title: Art: PLumbed Artforms | 7/4/1932 | See Source »

...Methodist Episcopal convention in Atlantic City (TIME, May 16; June 6) "focused the matter more sharply. Nearly all the bishops stayed at the Hotel Dennis on the Boardwalk. Some six blocks away at Wright's Hotel (Negro) were Negro Bishops Robert Elijah Jones (New Orleans) and Matthew Wesley Clair (Covington, Ky.). There also, and in homes of Atlantic City friends, stayed the rest of the convention's 75 Negro members. Bishops Clair and Jones attended dinners and meetings of the bishops, held in private rooms at the Dennis. There was newspaper talk of embarrassments, complaints, discrimination. The convention was asked...

Author: /time Magazine | Title: Religion: Tenth Mile | 6/13/1932 | See Source »

...Nous, La Liberté! (Tobis-Paris). French Director René Clair has made a brilliant attempt to do it all in one picture-comedy, romance, adventure, slapstick and satire on industry, prisons, society, the Machine Age and love. Amazingly, the film makes brilliant sense in every department, even to audiences ignorant of French. The picture opens with long rows of convicts tapping away at wooden toy horses. Two friends plan an escape. Louis (Raymond Cordy) succeeds, knocks over a bicyclist and rides victoriously into the finish of a bicycle race. He progressively masters burgher manners and the industrial system, becomes...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

...Director Clair keeps his characters, action and dialog as natural and human as possible. But the settings, the story, the mood of the direction, are stylized to achieve a dream quality. Director Clair uses anonymities for his leads; Actor Raymond Cordy was a taxi-driver a year ago. Admiration for Charlie Chaplin is shown in mob scenes, chases and stampedes which follow Chaplin's principles of dance and pantomime. Director Clair, 30, was until 1926 a newspaperman whose novel, Adams, a story of Charlie Chaplin, had some success. He joined a Paris experimental art group specializing in cinema, produced...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

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