Word: clapman
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Dates: during 1968-1968
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Another blessing is director Koivumaki's coordination of the individually engaging performers. They always work well with each other--even in the crowd scenes the level of concentration is high. Koivumaki also makes full use of his theatre and Arnold Clapman's attractive set by taking advantage of the balcony, both stage levels and the seating floor for his brisk blocking. He has at his disposal a set of costumes (credited to four girls) that have been carefully designed rather than simply produced...
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