Word: claps
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Dates: during 1940-1949
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Taking over the orchestra directed by his rival, the Opera Nacional's Jascha Horenstein, Sir Thomas found evidence of his predecessor's influence in rehearsal. "You know what we do with a musician like him in England?" snapped Sir Thomas. "We clap him in the Tower!" By the time Sir Thomas was through, Mexico City's ornate marble Palacio de Bellas Artes resounded with some of the most warmly polished Mozart that Mexicans had ever heard. The audience at the opening night's Don Giovanni also approved Baritone John Brownlee's legs (the most beautiful...
...Trap-Clap. In Albany, the State Conservation Department awarded the State's animal-trapping championship to one Albert...
Three thousand Negroes stirred restlessly on their wooden chairs in Harlem's huge Golden Gate Ballroom. The white-robed, white-gloved, white-carnationed Negro choir on the gold-&-blue velveted stage let go with Hallelujah! Hallelujah! The pianist took off. The congregation began to clap to. the beat. The clarinet rode away from the melody. A little old Negro woman, her wrinkled neck twitching like a cock's comb, sprang into the air and screamed. All over "the auditorium black heads bobbed ecstatically as if mounted on pogo sticks. From the stage rose the voice of the evangelist...
Anesthetics, Old Style. Anesthesia has progressed from chloroform to cyclopropane and local and spinal anesthesia. Dr. Erdmann remembers giving anesthetics for the afternoon clinics during his internship when "most of our patients were truck drivers, wharfmen and the like with strong whiskey, gin or tobacco breaths. We would clap a bootleg cone or a lamp-chimney cone over the face and push the anesthesia until the patient was deep blue...
Early in his studies Soundman Burris-Meyer discovered a few essential don'ts. For example: 1) hymns slow production almost to the stopping point; 2) Deep in the Heart of Texas prompts workers to clap their hands and let production go hang; 3) vocal refrains tend to distract rather than to stimulate; 4) music during the last 20 minutes of the working day is likely to be taken as a signal to pack up and go home. Burris-Meyer did not even attempt to play Strip Polka, for fear of provoking a complete breakdown of production...