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As Viola, who spends almost the whole play disguised as the pageboy Cesario, we have Lynn Redgrave, attired in an aquamarine suit and sporting a head of short red hair. She brings a surprisingly forceful voice and a sure comic instinct. It is fun to watch her lapse from her...

Author: By Caldwell Titcomb, | Title: Here and There A 'Twelfth Night' | 7/18/1978 | See Source »

Once the game begins Jenkins is always moving. For a man 6 ft. 8 in. tall, he is quick. He rebounds well and scores consistently. But he doesn't only contribute on the court; if on the bench, he claps his hands and shouts encouragingly to his teammates.

Author: NO WRITER ATTRIBUTED | Title: Tony Jenkins: 'We're Starting to Rol | 12/20/1973 | See Source »

Just as important, Lee has lifted Falcon morale. Originally nicknamed "Howdy Doody" by Van Brocklin, Lee is now called "the General" by his teammates. He claps his hands with infectious enthusiasm before the team huddles and after he calls the plays (all sent in by Van Brocklin, a former quarterback...

Author: /time Magazine | Title: Sport: General Lee's Legion | 12/10/1973 | See Source »

The audience who applauds the movie claps for a world which their own situation has rendered irrelevant. It is finally a highly conservative applause. For the message that romanticizes the female rebel, but balks before the women's rebellion, is anathema to any committed feminist. It feeds nothing but a...

Author: By Emily Fisher, | Title: Sighs and Dolls | 7/13/1973 | See Source »

As the vital Prometheus, Christopher Kennedy communicates his suffering with sufficient strength and sincerity to hold the play together. Yet constantly craning his neck and turning his Roman profile to the light, Kennedy seems a little too arrogant: his sneers make the Titan's earlier compassion for man incomprehensible. With...

Author: By Deborah A. Coleman, | Title: Aeschylus Bound | 4/14/1973 | See Source »

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