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There's a niche for Beck. You file him under "flash." Flash (as a musical term) was created for him. The two have riaen and faded together. Hendrix was never flash because he had a certain lyrical as well as musical genius. His genius aside. Clapton was too humble to be flash. Alice Cooper and Ian Anderson? Theatrics. David Bowie and Rod Stewart? Rock star trips. Steve Marriott? Punk arrogance, and Peter Townshend, for all his onstage pyrotechnics, has been sneaky serious ever since perfect placement of that primal teenage stutter on "My Generation...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...represents, the basic puzzle of his music. The most interesting thing about Beck is that, unlike the majority of English rock musicians, he cannot be comfortably traced back to any of the traditions commonly credited with English rock. he is not a blues guitarist, at least not in the Clapton tradition...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

Following Eric Clapton as a Yardbird. Beck's ideas and influences marked a shift in musical direction away from blues. The Yardbirds had little success as a seminal English blues band. Beck brought them "For Your Love," and, once they settled under him, he was free to experiment. Listen to "Beck's Bolero." "Hot House of Omagarashid," or particularly to the opening bars of "Over Under Sideways Down." Yet, with songs like "Train Kept a Rollin" Beck remained true to a concept of British blues...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...Buchanan. Rolling Stone's "best known unknown musician in the world" in a rare trip away from the Crossroads a saloon in Gaithurburg. Maryland. His band, the Snakestretchers, is classic crummy roadhouse, but the cultists come to hear Roy. Clapton and Garcia love him; the lead singer gave up the guitar after he heard Roy. November 1st at the AQUARIUS. 8 p.m. Tickets...

Author: NO WRITER ATTRIBUTED | Title: Music | 10/26/1972 | See Source »

...Paul Cotton as a lead guitarist, allowing the band to stretch out some of the songs. "Keeper of the Fire," with its insistent rhythms, and the stretched out "C'mon," now closing the show, gave him a chance to show his abilities. Cotton is not Dicky Betts, or Eric Clapton, but his rock lines, though predictable, are more than adequate. He's also a very fine country rock guitarist, a genre which demands special talents, particularly the ability to refrain from holding each note, blues style. His work on "Good Feeling," the band's most recent single, was excellent, remaining...

Author: By Frederick Boyd, | Title: Child's Claim to Fame | 8/15/1972 | See Source »

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