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...Last Waltz concludes with Dylan, and Scorsese photographs him better than Dylan photographed himself in Renaldo and Clara. But the real star of the film is Band Guitarist Robbie Robertson, whose ability to project charm and sex on-camera can be matched by only a few movie stars. Robertson is so mesmerizing that one can almost forgive him a self-martyring speech in which he attempts to link himself with every rock star who has ever met a tragic death...

Author: /time Magazine | Title: Cinema: Hit Parade | 5/8/1978 | See Source »

...Hillenbrand over dinner at Chicago's Bismarck Hotel. In blue jeans and a baggy smock, without her stage makeup and wigs, she bore little resemblance to the ethereal Giselle or the wide-eyed Clara of The Nutcracker. Hillenbrand had watched her perform on a recent evening...

Author: /time Magazine | Title: A Letter From The Publisher, May 1, 1978 | 5/1/1978 | See Source »

With her waiflike face and small person (she does quite graze 5 ft. 4 in.; she weighs around 93 lbs.), Gelsey is an enchanting soubrette, delightful as Swanilda in Coppélia or, more recently, as Clara in Baryshnikov's A.B.T. production of The Nutcracker. Gelsey enters in a swirl of other young people and first steps out of the crowd as a shy spectator of party festivities. At bedtime her tiny frame is swallowed up in a pink nightdress. Later, amid the wondrous dream parade of snowflakes and exotic entertainers, the girl-woman Clara stands out as the most ethereal...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...childhood like that, but it wasn't anything like my childhood. It was such fun to go through a childhood like the one in The Nutcracker. Christmas was a big deal for us, but I never saw things this way. I never had the kind of dreams that Clara does. I was so busy working at making my dreams come true that they were never really dreams. They were aspirations...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...only another in the unending series of masks he has worn since Huck Finn came down from the North Country with his Elvis Presley haircut. All this stuff about his tremendous egotism does not apply--as somebody else has already pointed out, what is art except egotism? Renaldo and Clara is just another step on the many roads of Bob Dylan. In the '60s, he came to prominence as the Voice of a Generation, as some publication like Time would bill him; by the early '70s, when he sang about George Jackson, he was less sure of his constituency. When...

Author: By Joseph Dalton, | Title: Mr. Tambourine Man Goes to Hollywood | 4/6/1978 | See Source »

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