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Usage:

...blues") or finically polish the grammar (John's "You've really got a hold on me"). Some of their covers (Young Blood, Johnny B. Goode) sound sluggish, anemic next to the originals. But Paul's raveups -- his countertenor superscreaming on Long Tall Sally or the understandably obscure 1956 rocker Clarabella -- still have a clear pulse. John leads a happy assault on Sweet Little Sixteen. And George is the musical star; he lays down plenty of inventive improvs on his lead guitar...

Author: /time Magazine | Title: SHOW BUSINESS: Becoming the Beatles | 12/19/1994 | See Source »

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