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These experiences are accessible to many ordinary people, note Masters and Houston, but they do require an ability to relax one's everyday grip on externals and allow deep internal processes of the mind to surface. Recently TIME Religion Researcher Clare Mead visited the foundation. Without any stimulus except the direction of Dr. Houston, she underwent a half-hour-long "inner odyssey." Her account...
...Washington during World War II-Curtis has his international admirers. John Russell, art critic of the London Sunday Times, calls him "one of the last of the great hermits-St. Jerome without the lion." In the foreword to the catalogue for a retrospective of Curtis' work, Clare Boothe Luce observes: "To accept, as Philip Curtis does, that human folly and wisdom alike lead only to death, and still not give way to despair, but to the making of lovely and magic pictures, is the triumph of one human spirit." The show has toured the major art centers...
...dramatis personae this week feature Sister Anita Caspary and Former Bishop James P. Shannon, who symbolize the deepening disaffection that is gripping the Roman Catholic clergy. The cover story was written by Mayo Mohs and edited by John Elson from material gathered by Researchers Margaret Mary Bach and Clare Mead and numerous TIME correspondents, including Wilton Wynn, Sandra Burton and Richard Ostling...
Edited by Michael Demarest, TIME'S Christmas cover was an especially satisfying assignment for those who worked on it. Researcher Clare Mead, before coming to TIME, taught high school in Texas as a Dominican nun. Researcher Margaret Mary Bach, a former chairman of the philosophy department at Marymount College, Tarrytown, N.Y., was a member in the order of the Sacred Heart of Mary. Writer Mayo Mohs often reported on religion from our Los Angeles bureau before coming to New York in 1966, and contributed to the chapter "Heaven and Hell" in TIME-LIFE'S book Can Christianity Survive...
...consider: Mazursky has directed the picture in the best Hollywood comedy tradition. A superficial tradition, yes-but not without its own special kind of wit and pleasantries. Like Robert Aldrich (in such kitsch as The Legend of Lylah Clare ). Mazursky has learned how to give vulgarity a good name...