Word: clarinet
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Dates: during 1960-1969
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...Schubert (and here Mr. Boykan was flawless) neared perfection. The blend of clarinet (Felix Viscuglia) and voice (Bethany Beardslee) was a marvel; one wonders, after hearing this piece, why more has not been written for this combination...
...last Monday's concert was a delight; the rest, a puzzle. The Brandeis players produced a more-than-competent performance of Haydn's Trio No. 5, for piano, violin, and cello; and their execution of the other work before the intermission, a Schubert song for voice, piano, and clarinet, was superb. But about Schoenberg's "Pierrot Lunaire," which took up the rest of the evening, it is difficult to be so enthusiastic...
...second recorded music and punch hours in Matthews Hall will take place. Punch will be served on Saturday 4-6 p.m. and Sunday 4-6 p.m. Sunday morning 9:30-11:30 coffee be will served. The recorded music schedule for Saturday afternoon is: Thompson...Suit for Oboe, clarinet, viola, Jongen...Concerto, op. 24 Beethoven...Sonate No. 15 in Major (pastorals) Op. 28. Bizet Symphon No.1 in C Major. ...Concerto for Oboe and in D Minor and F. Borodin Quartet No. 2 in D Major. The recorded music schedule Sunday afternoon is as is follows: Rangstrom...King Eric's Divertimento...
...Michael Haydn and Leopold Mozart fans as well. Of all the pieces he plays, the toughest is the Brandenburg No. 2: in the upper range it soars to G above high C, and wise conductors almost always cheat on the trumpet part and make do with an E-flat clarinet or a soprano saxophone. As distinguished a musician as the Vienna Philharmonic's Helmuth Wobisch has been known to enlist a second trumpeter to negotiate the concerto's lower passages while he concentrated on the high ones...
...Hatari, Heroine Elsa Martinelli leads three baby elephants, trunk to tail, to a jungle water hole, then back up a hill to a camp. It is a nice scene, but hardly vital to the film. What makes it indispensable is Mancini's music - a calliope, then a bass clarinet noodling a theme suggested by the old boogie-woogie tune, Down the Road a Piece. For the current Experiment in Terror, Mancini uses an autoharp; each appearance of the villain is marked by its dissonant and eerie chords...