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Word: clarineting (lookup in dictionary) (lookup stats)
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Unfortunately, the band often became so absorbed in their music that they seldomly raised their heads from their instruments; the two male Timminses, along with Alan Anton (bass), Jeff Bird (mandolin, harmonica), Spencer Evans (piano, clarinet, organ) and Ken Myhr (electric guitar) seemed to be playing more for the enrichment of their own souls than to win over the huge crowd before them...

Author: By Phoebe Cushman, | Title: The Soothing Melodies of the Cowboy Junkies: | 4/16/1992 | See Source »

Longy Faculty Artist Series--Thomas Hill, Clarinet; Randall Hodgkinson, piano; and Sue Ellen Hershman, Flute perform the Works of Handel, Brahms, Debussy, Milhaud, and Berg. Edward Pickman Concert Hall, 27 Garden Hall, 27 Garden St, Cambridge. Thursday, Feb. 27, 8 p.m. Free...

Author: NO WRITER ATTRIBUTED | Title: Everywhere But Harvard | 2/27/1992 | See Source »

...work is The Ghosts of Versailles, by New York City-born John Corigliano, 53. The Met's artistic director, James Levine, picked Corigliano with both genuine admiration and a steady eye on the box office. Corigliano's theatrical, highly finished orchestral works, including clarinet and flute concertos and a symphony, are being played with increasing frequency around the country and are popular with audiences. His score for Ghosts may not be trailblazing music, but it is effective and, above all, singable. There are melodic arias and ensembles, some clever, pleasing Mozart pastiches, and climaxes tumultuous enough to rival Les Miserables...

Author: /time Magazine | Title: Something New For the Met | 12/30/1991 | See Source »

...CARNEGIE HALL MUSEUM. New York City's refurbished musical mecca celebrates its centennial with a new permanent exhibit of 200 items. Included are such memorabilia as Toscanini's baton, Benny Goodman's clarinet and a 1964 debut program autographed by the Beatles...

Author: /time Magazine | Title: Critics' Voices: Sep. 30, 1991 | 9/30/1991 | See Source »

...MOTHER who introduced him to non-traditional, non-Western music such as Indian and Indonesian forms early in life. By five, he was playing the Indian drums and recorder; by fourth grade, the clarinet; and by fifth grade he had discovered the saxophone...

Author: By Adam L. Berger, | Title: The Law, Race Relations, and All That Jazz | 6/6/1991 | See Source »

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