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Word: clarineting (lookup in dictionary) (lookup stats)
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...focus of that revival. When Bunk died in 1949, George Lewis took over the leadership of the band. The Lewis band, all previously unknown New Orleans veterans, became internationally famous during the next decade, and George Lewis was halted as the greatest living exponent of New Orleans style clarinet playing...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

...author, who was born and raised in New Orleans, became interested in jazz and began playing the clarinet when he was 14. Since then, he has studied with most of the major traditional artists, including "Kid" Thomas, Billie and Dede Pierce, and the Olympic Brass Band, as well as George Lewis...

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

...with the gun, make sure he's not coming after you, then go on about your business. Today, their business was music, dancing and good times, and they went rolling right on. The second line reformed. They shouted, they danced, they bumped and ground. The trumpets blared, the clarinet soared, the bass drum throbbed, the trombones moaned. All like human voices--fine, rich human voices, singing out their eternal song of life and death as they marched on down the narrow brick street

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

...irrepressible antiquarianism of this style is characterized by self-conscious alternation of techniques, little rhythmic interest, and no intensity of construction. It fails to explore the subtler sound properties and combinations of the instruments, resulting in tedious, rhetorical pointillism. In this case the tedium nearly became punishment since the clarinet tone was coarse enough to make a serpent seem mellifluous. As with all the works, it was impossible to determine without a score if genuine serial procedures were employed...

Author: By Chris Rochester, | Title: New Music | 5/5/1969 | See Source »

...piano playing rank her with Aretha Franklin at the top of the female jazz, blues and soul camp. On piano, she can tinkle along simply like Count Basic or pile chord upon chord like Rubinstein playing Tchaikovsky. At times, her voice has the reedy wobble of a Dixieland clarinet, but it can also whisper, wail, or break in above the instrumental accompaniment like an Indian shehnai. As Ray Charles notes, nobody ever comes close to imitating her, or even trying, "probably because everybody knows she's the only one who can do it." To Jazz Trumpeter Dizzy Gillespie, Nina...

Author: /time Magazine | Title: Singers: More than an Entertainer | 2/21/1969 | See Source »

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