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This week the Profile section explores the Woody Allen most fans do not know: Woody Allen, the jazz clarinetist. Though Allen rarely grants interviews to discuss his movies, he readily agreed to talk to senior editor Thomas Sancton about his other career. In the projection room of Allen's Manhattan film center, they discussed music and clarinets for 90 minutes. "Woody Allen is passionate about jazz," says Sancton. "It's not just an eccentric hobby...

Author: /time Magazine | Title: From the Publisher: Oct 23 1989 | 10/23/1989 | See Source »

Sancton should know. A native of New Orleans, he grew up in and around the clubs of America's jazz capital, sitting in on gigs with his clarinet from the time he was a teenager. Allen's musical hero, clarinetist George Lewis, was one of Sancton's own mentors, and in 1969 Sancton played at Lewis' funeral. While an undergraduate at Harvard University in the late 1960s, Sancton formed the Black Eagle Jazz Band. When he went on to Oxford for graduate work, he ^ toured briefly with several European jazz groups before putting the horn aside to complete his doctorate...

Author: /time Magazine | Title: From the Publisher: Oct 23 1989 | 10/23/1989 | See Source »

Prezzi Bomba!, a jazz-fusion-Tibetan-post-existential-oboe-playing group takes the stage tonight at Agassiz Theater at 8:00. Assistant Professor of Music Graeme Boone, who teaches a Core course on Jazz, performs with keyboardist John Rabinowitz, clarinetist David Rothenberg and drummer Marc David Carnegie. Tickets for this performance are $5, and they can be purchased at the door...

Author: NO WRITER ATTRIBUTED | Title: Arts On Campus | 3/17/1989 | See Source »

Summer Jazz '88 continues in Marblehead with the music of Clarinetist Dick Johnson and the Swing Shift on Friday at the Unitarian-Universalist Church, 80 Washington St. Tickets for the weekly program start at $10.50 in advance and $11.50 at the door. The concert begins at 8 p.m. Call...

Author: NO WRITER ATTRIBUTED | Title: WHAT IS TO BE DONE | 7/29/1988 | See Source »

...momentum from its opening recitative to its blazing vivo finale; it got an otherworldly performance from Soloist Sergei Stadler, a baby-faced firebrand who shared first prize in the 1982 Tchaikovsky Competition with Viktoria Mullova. Sergei Slonimsky's sprightly two-minute Novgorod Dance -- hellzapoppin', cossack- style, ending with the clarinetist, trombonist, cellist, pianist and conductor all merrily hoofing it around the stage -- bespeaks a composer with both an ear and a sense of humor. Best of all is Schnittke's silvery Three Scenes for Soprano and Chamber Ensemble (1981), a theater piece for percussionists, soprano and conductor that apes...

Author: /time Magazine | Title: Music: High Spirits, Dead Souls | 3/28/1988 | See Source »

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