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...Easter Sunday, when he was 3, Alvin Batiste slipped away from his family to follow a group of musicians on a parade route--a fitting start for a founder of New Orleans' modern-jazz scene. A versatile clarinetist-composer for greats from Ray Charles to Cannonball Adderley, Batiste drew national attention in the '80s as a member of the innovative band Clarinet Summit. The bebop master died of an apparent heart attack hours before he was to perform alongside Wynton Marsalis and Harry Connick...

Author: /time Magazine | Title: Milestones May 21, 2007 | 5/10/2007 | See Source »

...generation, saying, “American composers brought up on rock and pop are more comfortable with electronic instruments and a really powerful, identifiable pulse.”THE AGONY AND THE ECSTASYBesides studying music, Adams also conducted the Bach Society Orchestra and would often serve as a substitute clarinetist for the Boston Symphony. He remembers the weight of his responsibilities coming down on him one night during rehearsals, saying he alleviated his anxiety by sitting in a snow bank outside Payne Hall until his pants became wet. “The stress and anxiety that students feel are actually...

Author: By Alexander B. Cohn, CRIMSON STAFF WRITER | Title: Musical Founding Father | 5/2/2007 | See Source »

...hisname does not sound familiar, that's just how maverick clarinetist Tony Scott wanted it. Among the loudest horn blowers in jazz and a venerated sideman for greats like Billie Holiday and Duke Ellington, he was one of the rare masters of bebop--a jaunty sound previously deemed incompatible with the clarinet's soft tones. The arranger and composer also branched out to embrace sounds from countries like Japan and Senegal, helping launch the genre now known as world music. In doing so, he skirted classification--and high-voltage celebrity. "Without experimenters," he said, "jazz would die a lingering...

Author: /time Magazine | Title: Milestones Apr. 16, 2007 | 4/5/2007 | See Source »

...funerals, have been scattered. Even before Katrina, New Orleans music was in danger as venerable nightspots in the French Quarter were replaced by tourist bars. Music was touted, "Disneyfied," Butler said, but not supported, and Katrina blew apart the social fabric that kept the traditions alive. Michael White, a clarinetist and musical historian at Xavier University, said it was shameful that so many valuable musical collections, like his own, were in private homes and never given pride of place in the city...

Author: /time Magazine | Title: Will the Jazz Band Play On? | 8/28/2006 | See Source »

Ironically, the record might be better with a bit more Don Byron himself. The virtuoso clarinetist only lends his talents to three tracks, and he makes each one of them spectacular. He has the intonation and mechanical sensibility of Charlie Parker—and apparently, no composition can obscure...

Author: By Nicholas K. Tabor, CRIMSON STAFF WRITER | Title: Speaking in Tongues: Clarinetist Byron Hits Sour Note | 7/14/2006 | See Source »

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