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...Woody Herman, famous leader-clarinetist of "The Band That Plays the Blues", will be at the Minute Man Record Shop on Boylston Street next Wednesday from three to four. Besides having brought his band from mere local fame to a national peak in the space of one year, Woody is a brilliant musician and really knows whereof he speaks. Drop around and get him to tell you why he thinks all good jazz should be built on the blues--it's worth hearing...

Author: By Michael Levin, | Title: Swing | 9/30/1939 | See Source »

...York Philharmonic Scholarship School and for the past year the editor in charge of TIME'S music department (but not of this review), Winthrop Sargeant is not concerned in his Jazz: Hot and Hybrid* with the question of whether Benny Goodman is a better hot clarinetist than Joe Marsala or who played the piano on Fletcher Henderson's record of Wang Wang Blues. Instead, he rolls up his sleeves and squares off with a lucid chapter on "Improvisation, Notation and the Aesthetics of Folk Music." "Folk music," says Author Sargeant, "is the anonymous and musically illiterate expression...

Author: /time Magazine | Title: Music: Scholar on Swing | 4/3/1939 | See Source »

Most swing enthusiasts are bored by highbrow music; most concertgoers are irritated by swing. But the world's No. 1 highbrow fiddler, Joseph Szigeti,* and the world's No. 1 swing clarinetist, Benny Goodman, have long admired each other. When Hungarian-born Szigeti heard Goodman last year, he was so impressed that he wrote home to his friend, Composer Bela Bartók, asking him to compose something that he and Goodman could play together. Absent-minded Bartók didn't even bother to answer, but surprised Szigeti a few months later by sending...

Author: /time Magazine | Title: Music: Hungarian Rhapsody | 1/23/1939 | See Source »

Last week, at his annual Manhattan recital in Carnegie Hall, Fiddler Szigeti, with bespectacled Clarinetist Goodman as assisting artist, gave the new Rhapsody its first public airing. To play it Szigeti needed two different violins, Goodman two clarinets. To articulate Composer Bartók's complicated rhythms both Fiddler Szigeti and Swingster Goodman needed all the gumption they could muster. Because the rhythms were as Hungarian as goulash, perspiring Middle-Westerner Goodman never quite got into the groove. But Hungarian Szigeti went to town, rode his pony so excitedly he broke his E string...

Author: /time Magazine | Title: Music: Hungarian Rhapsody | 1/23/1939 | See Source »

Robert Benchley'(Sun. 10 p. m., CBS) supplies the madness for Old Gold's Melody and Madness program, his first radio series. Melody by Baritone Dick Todd, Clarinetist Artie Shaw's orchestra...

Author: /time Magazine | Title: Radio: Programs Previewed: Nov. 21, 1938 | 11/21/1938 | See Source »

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