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Word: clarinets (lookup in dictionary) (lookup stats)
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Hugh Stevenson--clarinet recital, works by Mozart, Bruch, Stravinsky, Homes Dining Room, North House...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar April 19-April 25 | 4/19/1979 | See Source »

Concert of Mozart and Strauss--Boston Sumphony Orchestra; Klaus Tennstedt, conductor; Harold Wright, clarinet; Symphony Hall...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: February 22-28 | 2/22/1979 | See Source »

...album cover features a few of Rushen's instruments--an electric grand piano, microphone, and guitar. what it doesn't show is the clarinet, Rhodes piano, drums, bass synthesizer and tambourine. She's also got an orchestra behind her in every track. Rushen penned almost all the lyrics, arranged the music, conducted all but three of the selections and produced the album...

Author: By Brenda A. Russell, | Title: Two New Super Vocals | 2/22/1979 | See Source »

Wuensche's world is prey to minicrises. A pants zipper rips on a band uniform. A flute player is absent. A clarinet complains that the baritone sax is spitting on her. But the real plagues of Wuensche's existence are the twirlers' parents. Among his duties is the awesome responsibility of choosing the Huntsville line. Parents of unsuccessful candidates have accused him of favoritism and threatened to have him fired. Things got so bad that Wuensche no longer allows parents to attend the twirling line tryouts, which are now held behind locked doors in the gym. "They...

Author: /time Magazine | Title: In Texas: Twirling to Beat the Band | 12/11/1978 | See Source »

...concert opened with a performance of Ravel's Ma Mere l'Oye (Mother Goose), which quite often succeeded in evoking the composer's refreshing fairy-tale images. 'Pavane de la Belle au bois dormant' benefitted from luminous solo passages by the flute and clarinet and conjured a sensuous picture of Sleeping Beauty; the plaintive and delicate waltz Ravel wrote for Beauty and the Beast received a skillful treatment from the upper woodwinds and contrabassoon. But dynamic imbalances proved frustrating here as in the concerto. Too often the less important lines were simply not sufficiently subordinated; exquisitely played solo passages...

Author: By Forest L. Reinhardt, | Title: Victimized by Imbalance | 12/6/1978 | See Source »

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