Word: clark
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Dates: during 1930-1939
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Selznick called in Clark Gable, showed him a list of possible new directors. On Selznick's list were Robert Z. Leonard, Jack Conway, King Vidor, Victor Fleming. Asked to choose, Gable promptly named his great & good friend Victor Fleming, a big, grey, handsome, nervous, highly efficient Hollywood veteran, who has pulled through such problem pictures as The Crowd Roars, The Great Waltz, The Wizard of Oz, recently directed two of M.G.M.'s greatest moneymakers, Captains Courageous, Test Pilot. On Feb. 27, Fleming started the cameras rolling. Conscientious Craftsman Fleming drove his company hard...
...Though Clark Gable taught Vivien Leigh to play backgammon, and never won a game from her, they were not the best of friends. Director Fleming and Cinemactress Leigh differed over the interpretation of Scarlett, to which Fleming wanted to restore the "guts" he thought George Cukor had taken out of it. Vivien...
...cinemillions had already unanimously voted that Clark Gable must play Rhett Butler. Selznick also bowed to them when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas...
...Georgian suspended publication at week's end, turning its features and news services over to the Journal. That left Atlanta with just two daily newspapers, one of them Clark Howell's famed old Constitution. For years the Journal and the Constitution, both owned by influential Atlanta families, have combined to fight the Georgian, Hearst's Yankee interloper. With the Georgian gone, Atlanta can look forward to a hot battle between Journal and Constitution...
When the Nazi Admiral Graf Spee limped into Montevideo harbor last week to bury its dead, patch up, await orders, NBC-RCA's representative there, Bill Clark, signed up his friend Jimmy Bowen to keep watch on her. Jimmy, who had once broadcast a Montevideo opera opening for NBC, found himself with a microphone, headphones, and the job of periodically reporting the comings & goings of the Spec's officers, the feverish activities of her men, the vague rumors that drifted down to the docks...