Word: clark
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Dates: during 1940-1949
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...first time he had mentioned "police state," Clark Clifford, his chief speechwriter, who was sitting behind him, had visibly stiffened. One big part of Democratic campaign strategy was sure to be an attempt to blame high prices on the Republicans, to insist that the G.O.P. had sent them sky-high by scuttling OPA. And here was the President, head of the Democratic Party, damning all controls as tools of dictatorship. It might well turn out to be the political boner of the year...
...melodrama about a radio star (Claude Rains) whose secretary is the first to be murdered, and various other people, pleasant and unpleasant, who hang around Rains's mansion hounding the culprit, or just waiting their turn. Among those present: Joan Caulfield, Audrey Totter, Kurd Hatfield, Constance Bennett, Fred Clark...
Toward the end of the first act of "Sweethearts," Bobby Clark juggles his ubiquitous cigar on a cane and wonders if "there was ever a plot so complicated and yet so thin." Probably not; but the sting of the conjecture is mitigated by Clark's shenanigans, proceeding, as he does, to make the Victor Herbert musical noteworthy indeed. The stumpy comic with the skin-tight specs and vaudeville mannerisms compensates for the shortcomings of the rewritten plot, and should satisfy all but those with tin ears and antediluvian morals...
...Boby Clark is a last remnant of the American entertainment idiom characterized by the minstrel show, the burlesque and the one-two-three kick. Clark and his walking stick continue in the manner of Weber and Fields and other footlight pranksters: a little man who speaks softly and brings down the house. Viewed apart from Clark and the situation comedy he provokes, "Sweethearts" is not worth the few tunes that motivate its singers. All too often the usual operetta tomfoolery involving disguised counts and misplaced husbands is a little hard to stomach. Clark, however, patches things up nicely by injecting...
Filling in when Clark exits to light a new cigar, the chorus does only a passable job with Herbert's music, mangling the words to widen their smiles. The dancing is fair; the supporting east barely struggles above a mediocre rut; but when Clark reappears, the show comes back to life. Vaudeville will never die so long as Clark and his cigar are smoldering; and in "Sweethearts," both Clark and cigar...