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...seniors in the Class of 2008, 688 students used OCR, or about 45 percent of the entire class. These students submitted 15,816 applications in total. Almost half of the students who applied to jobs using the e-recruiting program accepted job offers, meaning that just over 20 percent of the entire graduating class ended up accepting job offers through OCR. OCR is unquestionably ubiquitous. It provides a large number of jobs to undergraduates and attracts many more applicants than there are positions available...

Author: By Shai D. Bronshtein | Title: Broaden The Job Search | 5/1/2009 | See Source »

...says. While tradition is important to Gurney and his music, he is eager to push at its limits. Over the course of his time at Harvard, Gurney has brought together traditional folk music with other musical genres, such as Classical. “Classical symphonies in class and Irish reels in pubs are much more related than I thought,” he says. Gurney is a professional accordion player, with several national awards and a busking license to his name, but he first met the instrument in a toy store. “I was seven...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Daniel P. Gurney ’09 | 5/1/2009 | See Source »

...students to be employed in the public sector, the college’s emphasis on providing financial incentives for students who choose that career path deserves attention. According to a survey conducted by The Harvard Crimson, two out of every five members of Harvard’s 2008 graduating class headed to a job in business, consulting, or finance. Many of these students were lured to the business world because of the lucrative financial benefits associated with such jobs. Unfortunately, many public-sector jobs require students to sacrifice the opportunity to make a great deal of money. A student with...

Author: By Alix M. Olian | Title: E-Recruiting For More Than Just I-Banking | 5/1/2009 | See Source »

...While Kapusta did not originally intend to study music academically at Harvard, he was surprised by how beneficial the endeavor has been. “I thought that Music 51 would be rehearsing old hat technical studies that I thought that I had already done, but the class was much, much more than that. It really did open my ears to listening to what is going on in music in new and different ways that I hadn’t thought about before.” The synthesis which Kapusta has experienced through his academic and extracurricular works is undeniable...

Author: By Kerry A. Goodenow, CRIMSON STAFF WRITER | Title: John D. Kapusta ’09 | 5/1/2009 | See Source »

...contemporary dance skills from the Harvard Contemporary Dance Ensemble to several prestigious summer programs. For the last semester, she has worked as a teaching fellow for Dramatic Arts 127: “Rite of Spring at the Nexus of Artand Ritual.” The creator of this class, visiting lecturer Christine W. Dakin, will be sending Chin to her program, Danzefest, in Italy. In June, Chin will also be attending Springboard Danse Montreal, a program founded by a Julliard professor that accepts just 60 dancers from the country’s best conservatories. Despite the many artistic opportunities coming...

Author: By Kerry E. Kartsonis, CONTRIBUTING WRITER | Title: Lauren E. Chin ’09 | 5/1/2009 | See Source »

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