Word: classical
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TIME: Your book describes your introduction to, and then immersion in, a new kind of dream interpretation. Only it's not really dream interpretation, is it, at least in the classic Freudian sense...
...here.With the five-star, 10.0 ratings, we’re borrowing against the future interest we’re betting these albums earn.But for once, the Something defining a Radiohead album might be immediately identifiable. If “OK Computer” revivified rock and became an undisputed classic; if “Kid A” exorcised rock music’s antediluvian fears of electronic music; if “Hail to the Thief” was the most haunting expression of post-9/11 anxiety that music has yet produced; then “In Rainbows?...
Love, transformation, and a twenty-foot pool? Ovid never saw that last part coming. The Harvard-Radcliffe Dramatic Club (HRDC) opens its first Loeb Mainstage show of the year, Mary Zimmerman’s adaptation of the classic “Metamorphoses,” tonight at 8 P.M. Directed by Carmel O’Reilly, co-founder of the local Súgán Theatre Company, and produced by Allison B. Kline ’09, the play is this year’s Visiting Director’s Project. Zimmerman’s adaptation is a compilation...
...Unfortunately, the action taking place doesn’t live up to the promise of Brock’s riveting vocals and the backup vocals, which combine to mourn the loss of the song’s unnamed “you.” The arrangement is classic Modest Mouse, weaving an inexplicably entrancing melody out of synthesizer, keyboard, guitar, and muted percussion lines. The abrupt revelation of the video leaves the viewer confused—is the child dead or alive? More importantly, do we even care? For much of “Little Motel...
...original “Sleuth” remains a classic, bolstered by Joseph Mankiewicz’s unpretentious direction and several stellar performances. Branagh’s version is fun, but the eccentric direction is all too often distracting, and Law’s overwrought acting style detracts from the plot. It’s a shame that Caine, the most alluring aspect of the film, can’t play both parts...