Word: classical
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Stage manager Daniel P. Wenger ’09 describes Lorca’s play as a “classic text,” one that has been produced many times since its first publication...
...Many traditional translations are staid,” Wenger claims, “and not as applicable to modern audiences.” Hare’s translation brings a “vitality and immediacy to Lorca’s classic text,” Wenger says...
...John is about as annoying as an actual pigeon, and was followed by Omni, who is inoffensive and interchangeable with hundreds of other underground hip-hop artists. Fatlip, one of the founders of playful West Coast hip-hop group The Pharcyde, followed by demonstrating his spectacularly unique flow, intermixing classics from his Pharcyde days with tracks from his recent solo effort, “The Loneliest Punk.” No one else has a single like “Writer’s Block”: “I coulda been a legend like Big and Pac/Instead...
...characters to be the heartland of America. It’s kind of folksy, it’s definitely not all business suits or all cowboy hats,” Johnson explains. “The look of the characters adds to its very nostalgic, kind of classic American feel.” In addition to the folksy feel and primary plot, the musical includes flashbacks into different time periods. “At one point we actually have a cabaret scene from when the antique was owned by a previous owner,” says Richards...
...blurb on the website, the show will fulfill viewers’ hopes if they have “ever wanted to see what happens when ballet dancers took off those pointe shoes.” Indeed, “Pointe/Counterpointe” promises to be a mixture of classic, contemporary, and modern dance styles, providing a chance for Harvard audiences to see the more informal face of ballet. That doesn’t mean, however, that HBC’s trademark classical technique won’t be on display this weekend. “We?...