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Classical music is the hidden gem of Boston’s music scene, and there has never been a better time to discover the joys of this music. When given a chance, classical music can truly have a powerful emotional impact—one boast 50 Cent could never make...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CONTRIBUTING WRITERSS | Title: Classical Music for Dummies: Harvard Style | 2/24/2005 | See Source »

When your Kong budget at last takes full control of your wallet, a classical concert is also your best bet for a cost-free Friday night. Boston teems with free concerts, most of which can be found at the large selection of music schools. The New England Conservatory has the...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CONTRIBUTING WRITERSS | Title: Classical Music for Dummies: Harvard Style | 2/24/2005 | See Source »

Some people tend to dislike contemporary classical music even more than traditional classical music, calling it “ugly noise,” but BMOP actively tries to dispel this stereotype by uniting “composers and audiences in a shared concert experience.” Since its...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CONTRIBUTING WRITERSS | Title: Classical Music for Dummies: Harvard Style | 2/24/2005 | See Source »

BMOP brings these new composers to new audiences, performing not only in traditional classical music spaces but also at offbeat venues such as the Moonshine Room at Club Café in Boston.

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CONTRIBUTING WRITERSS | Title: Classical Music for Dummies: Harvard Style | 2/24/2005 | See Source »

The Boston Symphony Orchestra is mostly self-explanatory. It is Boston’s symphony orchestra. Throughout the academic year, the BSO performs “serious” classical works, featuring soloists and guest conductors. Tickets are cheap for college students. Student rush tickets are available, and ?...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CONTRIBUTING WRITERSS | Title: Classical Music for Dummies: Harvard Style | 2/24/2005 | See Source »

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