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Because it sometimes contains dead animals, amber was strongly associated with death in ancient times. "It was believed to serve as a ray of light for the dead person in the afterlife," says Faya Causey, a historian of ancient art at the National Gallery of Art in Washington. Many of...

Author: /time Magazine | Title: FOREVER AMBER | 2/12/1996 | See Source »

Jones Professor of Classical Greek Literature Gregory Nagy, who teaches Literature and Arts C-14: "The Concept of the Hero in Greek Civilization," also known as "Heroes for Zeros," says the term "gut" reflects a "strictly materialistic and cynical way of thinking about something that is much more important."

Author: By Courtney A. Coursey, | Title: The CONFI, The CUE, AND GUTS | 2/9/1996 | See Source »

Like her previous work, the piano plays an integral role in Amos' arrangements. A difference is the increased use of the harpsichord, reflecting her classical training as a child. The harpsichord appears in the first single from the album, "Caught a Lite Sneeze," but is used to even greater effect...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

GEORGE GERSHWIN--EVERYONE remembers him. But Edward Elzear ("Zez") Confrey? Pauline Alpert? John Green? Dana Suesse? Today no one can even pronounce some of these names, yet once upon a time--back in the 1920s and '30s--all four of these pianist-composers thrilled large audiences with a scintillating mix...

Author: /time Magazine | Title: MUSIC: THEY HAD RHYTHM TOO | 2/5/1996 | See Source »

Examples abound in the Pearl series. The easy virtuosity of Pauline Alpert's Rain on the Roof, with its cascading arpeggios and delicate filigree work, matches the best that classical contemporaries like Josef Hofmann or Josef Lhevinne had to offer. Her performance of Gershwin's Fascinatin' Rhythm out-Gershwins the...

Author: /time Magazine | Title: MUSIC: THEY HAD RHYTHM TOO | 2/5/1996 | See Source »

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