Word: classically
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Dates: during 1960-1969
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...play has more claim to be called an American classic than The Show-Off. This season's second production of the APA Repertory Company (TIME, Dec. 8) opened in 1924, had 674 performances on Broadway, and has suffered countless amateur versions. It was filmed three times (with Gregory Kelly in 1926, Spencer Tracy in 1934, Red Skelton in 1947). And it was written by the grand old man of the U.S. stage, George Kelly, 80, actor, director, and uncle of the Princess of Monaco...
Anticipating a probe from the Administration, U.S. Steel's Chairman Roger Blough, veteran of the classic 1962 confrontation with President Kennedy over steel prices, turned wry in defense of his industry. Said Blough: "Washington can inflate the money supply with impunity, labor can raise wages far beyond gains in productivity, but hold steel prices down and everyone will be happy and rich-everyone, that is, except the steelmakers, of course...
...program was typical for conductor James Yannatos. With 18th or early 19th century classic and large Romantic works at either end of his programs, Yannatos has persistently scheduled pieces of 20th century music--often recent compositions--as keystones of his concerts. On Friday he led the HRO in performances of Mozart's Overture to Die Zauberfloete, the new clarinet concerto by professor emeritus Walter Piston, and that song to end all songs, Mahler's Das Lied von der Erde. What more could one ask of an evening...
...works had been played at previous concerts, and performances were generally brighter and more confident. The Wind Ensemble reappeared with Robert Kurka's Suite from The Good Soldier Schweik. This basically tonal work, composed in 1956, treads perilously close to eclecticism as it attempts to combine all the classic styles of twentieth century music: the playful dissonance of Prokofieff, the biting sarcasm of Mahler, a Milhaud-like use of jazz, and insistent rhythms at once reminiscent of Igor Stravinsky and Leonard Bernstein. Combined with the nearly contemporary Town Piper Music of Richard Mohaupt (for the full Band) the work gave...
...Greek tragedies, proud men and women roll their lives like dice against the gods and lose. Man proposes but fate disposes. Euripides, the most skeptical and psychologically minded of the classic tragedians, recognized that man is sometimes his own worst fate. Iphigenia in Aulis, presented last week at Manhattan's Circle in the Square in a translation by Minos Volanakis, shows men and women undoing themselves through ambition, power, lust, fear, guile and egocentric arrogance. At its heart, however, the play is a Grecian urn of tears, an incomparably moving lament for all who die young in war. Directed...