Word: classicize
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Dates: during 1960-1969
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...could and yes, he did. The film became a classic of the genre, and Wayne changed to archetype casting. Following the wheel marks of Stagecoach, he became the essential western man, fearin' God but no one else. Tough to men and kind to wimmin, slow to anger but duck behind the bar when he got mad, for he had a gun and a word that never failed...
Whatever it is that makes a man suddenly stand and challenge the rules of his society, risking everything he has secured for himself, has been a classic inquiry through all literature, but it is particularly relevant for America today. The common fury in the hearts of the disenchanted can extend beyond Black Power and campus rebellion into suburbia, and farther. In David Shetzline's second novel, that rage explodes during a forest fire in the timber country of Oregon. Before the fire is smothered by a snowstorm, it has scorched the lives of several middle-aged American males...
Scotland's Jackie Stewart is something of a brooding fatalist. His elder brother Jimmy preceded him as a racing driver but retired after two serious accidents and a near-fatal collision in the 1954 Le Mans classic. In 1968 his roommate and closest friend, the incomparable Jim Clark, was killed in a crash on the Hockenheim circuit. "The loss of Jimmy was an enormous blow," says Stewart, "but it couldn't make me give up racing. Jimmy was a professional...
George Ill's illness, say Macalpine and Hunter, reads "like a textbook case," His first severe attack occurred in 1788, when he was 50 years old, and lasted for seven months. Starting with acute abdominal pain, weakness of the limbs and the classic discolored urine, his symptoms progressed through insomnia, headache and restlessness to delirium, convulsions and stupor. Even after his condition improved, George suffered periods during which his doctors said "wrong ideas" took hold of him. In 1810, he became so ill that he was incapacitated for the rest of his life, and his son, as Prince Regent...
CRITICS AGREE that The Blue Angel (1930) is a classic, but usually for misleading reasons. They see it as a masterpiece of German Expressionism, detailing the complete degradation and ultimate death of a bourgeois hero through his descent into the sex-and-violence filled world of the lower classes. The allure of a cabaret singer (Marlene Dietrich) leads Professor Rat (Emil Jannings) from the comfortable, orderly existence and, to complete the Expressionist myth as practiced in German movies, subverts his normal conduct until he becomes an object of the townpeople's scorn. The economic theme in this plot, closely related...