Word: classicize
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Dates: during 1960-1969
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...record, after a pre-trip upset of Rutgers, Harvard lost its first round game in the California Winter Classic to host University of California at Santa Barbara, 88-62. The next night, three men scored 20 points or more as the Crimson bounced back to take third place, beating Loyola of New Orleans, 95-84. Later in the week, Harvard lost to a physically rugged San Jose State squad, 91-75 and San Francisco...
...that is not quite William Congreve's classic line of the 1690s. It is the Fugs of the 1960s, in their song When the Mode of the Music Changes. And it sounds a theme that is growing louder, if not clearer, throughout contemporary rock: change, wildness, rebellion against civil authority. Social and political revolution, that catchword of radical left rhetoric, is becoming a fashionable topic for more and more rock groups-at least as far as their lyrics...
...current state of black militancy. The other is a creaky pastiche of John Ford's 1935 masterpiece, The Informer. The analogy of the Irish and Negro rebels is less natural than it is facile, but in Dassin's hands, there is little attempt to translate the classic into contemporary cinema. Instead, he has simply sought to make a negative of the original, with shades of black instead of grades of white...
...jungle" determined to "tap her way to stardom." All the familiar old friends are on hand-the bitchy established star who tries to steal Ruby's sweetheart, the warm-hearted floozy who befriends her, the gruff, tough director who puts her on at the last minute with those classic words: "It's a chance in a million, but it just might work." Everything else is there too-the whiplash body English and frenetic tap routines, the hard-times songs about riches-to-rags and good-times-acomin', the Spanish-town song ("Do you remember those nights...
Beware of Tyrone Guthrie bearing Greek gifts. The pity and terror of tragedy are alien to his impish nature. He has an irresistible urge to inject modernity into a classic through props, stage tricks and character stunts rather than to extract what is timelessly significant in the play. He is more like an M.C. introducing novelty acts than a director exploring drama. All of these traits mar his direction of the Minnesota Theater Company's The House of Atreus. The production is ambitious in intent but puny in passion, execution and depth...