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Word: classicize (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...second frame was almost like the first, but this time Harvard only notched four goals. Cavanagh made a classic play as he took DeMichele's pass behind both N.U. defensemen, faked the goalie out of position, and lifted the puck into the right hand corner of the nets...

Author: NO WRITER ATTRIBUTED | Title: Yardling Sextet Bombs N.U., 10-1; DeMichele Hits Four To Pace Win | 2/26/1968 | See Source »

...JUNGLE BOOK. Walt Disney's animated version of the Kipling children's classic is thoroughly delightful and clearly aimed at the below-twelve market...

Author: /time Magazine | Title: Television: Feb. 23, 1968 | 2/23/1968 | See Source »

...Dutton & Co., Inc., publishers; of cancer; in New Canaan, Conn. Widely traveled and equally cosmopolitan in taste, Macrae over the years printed something for practically everyone; he sprang Mickey Spillane on the world (seven biggest sellers: 34.6 million copies), published Mountain Climber Maurice Herzog's classic Annapurna, Lawrence Durrell's The Alexandria Quartet, and Evgeny Evtushenko's Selected Poems. His great friend was A. A. Milne, whose whimsical Winnie-the-Pooh sold more than 1,000,000 copies and appeared in a dozen languages-including a pirated Russian translation (Vinni-Pukh i vse-vse-vse), which Macrae...

Author: /time Magazine | Title: Milestones: Feb. 23, 1968 | 2/23/1968 | See Source »

Died. Mae Marsh, 72, early Hollywood heroine, who first starred in D. W. Griffith's 1915 classic, The Birth of a Nation; of a heart attack; in Hermosa Beach, Calif. Mae was only 16 when her auburn-haired beauty caught. Griffith's eye and he signed her to a contract at $3 a day. She moved a generation of moviegoers as Flora, the star-crossed little sister, in Birth of a Nation, went on to become Griffith's always tearful, often tragic leading lady in Intolerance, A Child of the Paris Streets and The White Rose...

Author: /time Magazine | Title: Milestones: Feb. 23, 1968 | 2/23/1968 | See Source »

...newsreel datelines; his camera has a journalist's preoccupation with showing all the action, which takes precedence over clean-cutting or attractive composition. But at no point is Algiers a documentary--even when the high-grain high-contrast film most resembles aged newsreel footage--and ultimately Pontecorvo makes a classic statement that transcends the political issue: an affirmation of the greatness of men who choose to fight great causes, and the inability of force to destroy spirit and deep moral conviction...

Author: By Sam Ecureil, | Title: The Battle of Algiers | 2/19/1968 | See Source »

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