Word: classics
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Dates: during 1930-1939
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...last week for the Justices of the U. S. Supreme Court to make up their minds about TVA, workmen draped the elaborate Italian ceiling of the 64-ft. square courtroom with a cheap canvas screen. Also last week in Manhattan a onetime partner of the architect responsible for that classic pile across the plaza from the Capitol sued the architect's son and daughter for a sum estimated at a quarter of a million dollars...
Along with this delightful if somewhat disconcerting masterpiece, the Fine Arts is showing Fox-Movietone News; the adventures of Mickey Mouse; Donald Duck, and that horselike person as fire-fighters; and a picture of the Tournament of Roses classic with all its trimmings...
...thirds of the picture, Eddie Cantor, as Eddie Pink, a timid amusement-park manager embroiled with slot-machine racketeers, gives a fair imitation of Chaplin's famed characterization of a peewee battling gaily against overwhelming destiny. The last third of the picture is a chase in the classic Keystone tradition, starting when the racketeers, dressed in policemen's uniforms, pursue Eddie Pink around a roller coaster, and ending when Eddie and his Greek bodyguard (Parkya-karkus) find themselves trapped in a captive balloon. Eddie escapes by falling into an acrobats...
...biggest U. S. bank outside Manhattan. Mario Giannini is operating head, second-in-command when his famed father is there, chief executive officer when his father is absent, which is about five months of the year. Slight, baldish, Mario Giannini is at 41 a veteran of one of the classic wars of U. S. financial history-the long Depression fight in which old Amadeo Giannini lost, then regained control of Transamerica Corp., owner of Bank of America. Son Mario has a severe Latin countenance, a subtle, acute intelligence, keeps his fingers on every phase of his big bank...
...moral lesson the Dostoievsky classic teaches is limited in its application. If shows how a brilliantly intellectual man with nerves breaks down under the weight on his conscience of a murder he has committed and for which an innocent man is in danger of being executed. If it had general application, if it depicted the mental process of all murderers, we would have no unsolved murders. We must presume the perpetrators of the unsolved crimes have neither consciences nor nerves, thus the "Crime and Punishment" theme cannot apply to them...