Word: classics
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Dates: during 1950-1959
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...hang alone in a special Spanish-pavilion annex. The Franco regime will celebrate the fair's inauguration by issuing a commemorative postage stamp bearing a reproduction of the Dali work. Later, said Catalan-born Artist Dali, the painting will go to Spain's "majestic temple of pure, classic lines, worthy of my work, the Escorial, and there, in its full dignity, it shall guard Philip...
...Physical training!" snorted one elderly Russian balletomane, stomping out of Moscow's cavernous Bolshoi Theater. "Pantomime!" jeered another. Inside, the spectators traded insults for a full 15 minutes after the final curtain. Source of their excitement: a new ballet entitled Spartacus, marking the first major departure from the classic choreographic style in which Russian ballet has been frozen on pointe for 30 years...
...choreographed political posters, continued to develop impressive technical skill. But it lived in a world apart from the fresh dance ideas that swept through Europe and the U.S. Later, the major companies commissioned works by modern composers, including Prokofiev, Shostakovich, Khachaturian, but all three tailored their music to the classic choreographic idiom. The Russians' failure in modern productions became most evident during the Bolshoi Ballet's otherwise hugely successful 1956 season at London's Covent Garden. The company expertly paraded such gorgeous old floats as Swan Lake and Giselle, but was peppered by the critics...
...Germans, no matter what the rest of the world says, have a wonderful sense of humor-if only they were not so serious about it. This picture, adapted from the last novel published by the late Thomas Mann, is a classic instance of deutscher Witz: a good joke, badly told but brilliantly explained, heartily laughed at by the teller, laboriously retold from several other angles, and reduced, in conclusion, to its philosophic essence. In this case, unfortunately, the essence is a dull epigram. "Love the world," Mann's hero cries, "and the world will love you." The statement expresses...
...play uses a classic stage form, the brittle conversation piece. In terms of smart brushes and insulting banter, this has its good points; but seldom were a classic action and a classic method so mismated. 'Stage struggles over a will make for melodrama or serious drama, farce or sardonic comedy, for banged fists, shaking fingers or skinny claws-but not for the playfully brandished rapier. Fencing verbally, the brothers sometimes neatly pink each other, even achieve an occasional moral louche. But they use buttoned foils on synthetic flesh. Nor, in place of human drama, is there any real psychological...