Word: classics
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Dates: during 1980-1989
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...have, I must confess, serious doubts about the efficacy--or even the integrity--of the "classic" exam period editorial, "Beating the System" you reprinted recently. I almost suspect this so-called "Donald Carswell '50" of being rather one of Us--the Bad Guys--than one of you. If your readers have been following Mr. Carswell's advice for the last 11 years, then your readers have been going down the tubes. It is time to disillusion...
...historically and politically accurate. It understands something that the architects of the war never did: how the foliage, the thickness of the jungle, negated U.S. technological superiority. You can see how the forest sucks in American soldiers; they just disappear. I think the film will become an American classic. Thirty years from now, people will think of the Viet Nam War as Platoon...
...French before he learned English. (From Viet Nam, Oliver would write his grandmother versions of the letters that Chris reads in Platoon.) At five he composed skits for a marionette show, casting his French cousins in the parts. At seven he wrote stories. To earn a quarter for a Classic comic book, he would write a theme each week for his father. And at nine he started work on a book, 900 pages about his family and his life...
Whatever happened to the bottomless mug of coffee? Another True American Tradition is dying in the midst of our decade's backwards swirling vortex of Republican nostalgia and Classic Hits radio...
Like many adaptations of classic novels, Lyubimov's is less a retelling of the story than a musing on its themes, best understood by people who know its plot well. Raskolnikov (Randle Mell) harps on the quasi-Nietzschean idea that conquerors absolve themselves of sin by the very act of conquest. He repeatedly urges himself to be a Napoleon -- which, Lyubimov acknowledges, Soviet audiences often took to mean a Stalin. These philosophical monologues, however, are kept brief. Lyubimov relies heavily on ritual and brief blackout skits that verge on surreal slapstick; he creates a milieu more than he mounts...