Search Details

Word: classics (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

Even Goizueta's mistakes were beauties: the disastrous new Coke, which nevertheless paved the way for a sales surge in "classic" Coke, and the purchase of Columbia Pictures, which he unloaded on Sony for a healthy profit. Says analyst Martin Romm of Credit Suisse First Boston: "He did more in 16 years than most people could hope to do in a millennium...

Author: /time Magazine | Title: THE MAN WHO KNEW THE FORMULA: ROBERTO C. GOIZUETA (1931-1997) | 10/27/1997 | See Source »

...song which has obviously been influenced by the recent success of Sean "Puffy" Combs and entourage. The beat is simple but infectious and the lyrics resonate with references to cash, female body parts and luxury cars. Some of the lines that Shaggy wails to his female audience include the classic: "Tickle up me fancy with you sweet smelling leather/Smooth like silk you could be rough like a feather." Obviously, these are not some of the most insightful comments on romanticism and relationships between the sexes, but he manages to carry it off without seeming ridiculous or oversexed. Shaggy...

Author: By Kamil E. Redmond, CONTRIBUTING WRITER | Title: Rico Suave With a Reggae Twist | 10/24/1997 | See Source »

...versions on the CD--the regular radio mix and an "urban re-mix"). Shaggy has committed sacrilege by performing the song and it is not any good. Presumably one of the worse songs on the CD, Shaggy has taken it upon himself to do a remix of this classic song with vocals by a singer named Marsha in the tradition of Mariah Carey. Both Shaggy and Marsha are completely off the mark, this song which was quintessential Janis Joplin just does not work as a reggae version. An examination of Shaggy's lyrics reveal such sensitive statements as: "Easy...

Author: By Kamil E. Redmond, CONTRIBUTING WRITER | Title: Rico Suave With a Reggae Twist | 10/24/1997 | See Source »

...walked back to the main stage to perform several last crowd-pleasers. The lights and magic around them really took off, and the ends of some of the last few numbers were punctuated with incredible pyrotechnic displays that completely lit up the sky. The encore brought both the simply classic and the fantastic to a maximum. While the group played "Brown Sugar," one of their most beloved singles, the air filled with gigantic geysers of confetti, which completely blanketed the stadium. Throughout all of this, the simple, pure rock and roll that is the Rolling Stones never seemed...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Rolling Stones: Still No Moss | 10/24/1997 | See Source »

...backdrop of Symphony Hall also lent a classic, almost gothic feel to the proceedings, with its black and red drapery, gold trim and metal-studded leather seats. lang walked the stage in her trademark black pinstripes like she was on Star Search, feeding off the audience's love and enthusiasm and maintaining a constant dialogue with its members. Like singers from the '20s who preceded her in loungey style, she synchronized fluid and natural movements with the simplicity and steadiness of her own voice. Even while delivering what must have been vocally straining performances, she managed to maintain an ease...

Author: By Erika L. Guckenberger, CONTRIBUTING WRITER | Title: Take a 'Drag': Lang Smokes in Symphony Hall | 10/24/1997 | See Source »

Previous | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | Next