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Word: classics (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Rather than overhaul the plant, Seaboard responded in the classic manner of corporate-welfare artists: it began quietly looking around for another town, another state. Alarmed, Albert Lea and Minnesota came up with an additional $12.5 million in incentives to keep the plant. But Seaboard had found a bigger patsy--Guymon (pop. 7,700), in Texas County, Okla. Guymon, the county and the state put together an economic incentive package worth $21 million to entice Seaboard to the Oklahoma Panhandle, a section of the country where hogs and cattle far outnumber people...

Author: /time Magazine | Title: Corporate Welfare: The Empire Of The Pigs | 11/30/1998 | See Source »

What does the evergrowing pool of adult videogamers want? Why, an update of their youthful obsessions, of course. Given the success of Frogger and other remakes of classic arcade games, a revamped Asteroids is a sure win. In the new version, available on both PC and PlayStation, you still get to blow space rocks to smithereens--but now you do it in vivid...

Author: /time Magazine | Title: Your Technology Nov. 30, 1998 | 11/30/1998 | See Source »

...sectors were in the marrying mood this week, from that very French, mistress-included arrangement between AOL, Netscape, and Sun Microsystems, to Exxon and Mobil, to Dennis Rodman and Carmen Electra (yes, they count as corporations). Since they can?t all be made in heaven, here are three classic films in which the honeymoon was a rude awakening...

Author: /time Magazine | Title: You May Now Kiss the Potato | 11/27/1998 | See Source »

...Suspicion (1941). Cary Grant is the upper crust?s most eligible gold-digger ? and maybe a murderer to boot. The Hitchcock classic throws Joan Fontaine into Cary?s arms and watches the love turn to fear. If you don?t like the ending, blame the studios for being overly protective of Grant?s image...

Author: /time Magazine | Title: You May Now Kiss the Potato | 11/27/1998 | See Source »

This update of the Hitchcock classic presents Christopher Reeve in his first leading role since his accident. He plays a newly paralyzed architect who passes time by watching his neighbors across a courtyard, eventually coming to believe that one is a murderer. Reeve is touching, in part, because the role echoes his own story, but his talents seem undiminished, and his performance is very appealing in its own right. Unfortunately the movie itself is a disappointment, with a suspenseful set-up but flat climax...

Author: /time Magazine | Title: Television: Rear Window, | 11/23/1998 | See Source »

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