Word: classics
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Dates: during 2000-2009
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Every generation gets the sci-fi paranoia it deserves. Or lately, it borrows the paranoia from a previous generation. ABC's V (the highest-rated new show of the fall) is a remake, or in the new parlance, "reimagining," of a camp-classic 1980s miniseries about an alien takeover, which used its lizards-in-human-clothing story as an allegory for the rise of Nazism...
...entering the remake--sorry, reimagining--sweepstakes with The Prisoner (begins Nov. 15), a six-hour sprucing up of the 1967 classic that was the granddaddy of TV head trips like Lost. In the original series, creator Patrick McGoohan starred as an agent who resigns his post and is abducted and taken to the Village, a cheerfully totalitarian seaside town where everyone has a number. He becomes Six; the Village is overseen by the despotic Two. What the Village is and why it is were the (never completely resolved) questions of the fascinating 17-episode series...
...couple moved constantly, taking whatever jobs they could find while trying to cobble together degrees at one school after another. In Sklenicka's book, Maryann emerges as an admirable if flawed anchor in her husband's life. Companion, breadwinner, fierce believer in Carver's genius, she was also a classic enabler who sank into alcoholism just as he did, though he sank deeper. Over the years, Carver and Maryann, with their two wary children in tow, would suffer just about every indignity that drunkenness confers, including his blackouts, her boozy flirtations, two bankruptcies and a holiday brawl at their place...
...slowly and heavily crushing what melody there is. Proceeding at a restrained pace for a while before shifting into an incredible stomp for its final two minutes, the unrelenting assault of the opener proves that TCV have no intention of making shiny guitar rock like Foo Fighters or the classic heavy metal of Led Zeppelin. This is very much QOTSA-style, furiously aggressive hard rock...
...undoubtedly successful debut for the supergroup. In fact, this is the most essential any of the three members have sounded in years. With Jones restored to prominence thirty years after his career high, Grohl returning to the hard rock his drumming talents are suited for rather than the classic rock sheen of Foo Fighters, and Homme freed from the pressure and expectations of Queens of the Stone Age, it sounds like all three are truly enjoying themselves. While it is Homme’s influence that dominates the record, what really sticks in the mind is how brilliant an idea...