Word: classics
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What?s the first noticeable difference between performers of bygone days - say, up to the 1960s - and modern ones? It?s that the classic show people almost always smiled while they worked, and the newer ones almost never do. Entertainers used to sell happiness. The idea was to please the audience and to hope that, if you smiled, they?d smile back. They?d paste a big grin on their face as they spoke, sang, executed amazing tap figures. No matter how demanding or exhausting the turn, their smile would tell you: See, it?s easy. It?s not work...
JOHN COLTRANE'S SHEET MUSIC This original manuscript of A Love Supreme shows how the saxophonist sketched out the 1964 classic. Estimate...
...TEEN-ANGST science- fiction movie that actually deserves the tag "cult classic," this 2001 space oddity earned less than $1 million in its first release, but has spawned an avid following...
...most exciting moments of Bazan’s set came when he announced a cover of a Neil Young song (“Revolution Blues,” from his classic album On the Beach). As the band began to play, Sparhawk surreptitiously emerged from behind the curtain to join the band in this cover, showcasing his louder, wilder side on some tremolo-tastic guitar accompaniment. Seeing the normally subdued Sparhawk thrashing briefly on his guitar evoked his side-project the Black-Eyed Snakes, for which Sparhawk rattles out aggressive blues guitar and wails through an old harmonica microphone...
Messing is at her best when she’s disheveled, drunk or both. When she wakes from a harrowing sleep during her flight to London, Messing turns on her classic Lucille Ball face – big eyes, cheeks streaked with mascara, frizzy red hair nested on her head. The same face begins to reappear after a few rounds of flaming shots at her sister’s bachelorette party, a night leading to a drunken encounter involving an ATM machine and a tryst in a boat. Messing succeeds as a comedienne faced with the absurdity of a full...