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...tried to contain our excitement. The Sox bullpen—led by Mike Timlin and Scott Williamson—was red-hot in the playoffs, and I thought the pen would undoubtedly close down the Yankee threat in the last two innings to put the Sox in the Fall Classic for the first time in seventeen years...

Author: By Robert C. Boutwell, CRIMSON STAFF WRITER | Title: CHAMPIONSHIP BOUTWELL: Mirror Wins For Phil And Sox | 4/13/2004 | See Source »

...right, Mr. DeMille," says aging actress Norma Desmond, played by aging actress Gloria Swanson, as she leans seductively into the camera in the final scene of the 1950 film classic Sunset Boulevard. "I'm ready for my close-up." If Norma were working in today's high-definition television (HDTV), she would be inching away from that camera...

Author: /time Magazine | Title: For TV Stars, High Def Is Dicey | 4/12/2004 | See Source »

...Chicago's First United Methodist Church to talk about Gibson's film. It was a war movie, she told about 30 attendees, the most violent she had ever screened. A colleague of hers said the film seemed to assume the theory of substitutionary atonement. "The problems with this classic Christian theology," he pointed out, are the "glorification of death and suffering, the encouragement of scapegoating and making forgiveness the [Christlike] burden of the victim...

Author: /time Magazine | Title: Religion: Why Did Jesus Die? | 4/12/2004 | See Source »

Which town? Our Town. Von Trier asserts his intention to rethink the classic Thornton Wilder play with his film's magnificent first shot: an overhead view of a nearly bare stage set, with Dogville's properties and props designated by painted lines. The old mine down the road is identified by a sign reading OLD MINE. A townsman closes an invisible door and we hear a slamming noise. Von Trier presumably wants us to attend to his characters' yearnings and prejudices without the distractions of period furnishings...

Author: /time Magazine | Title: Movies: Empty Set, Plot to Match | 4/12/2004 | See Source »

...challenge the U.S. military in a tactical sense - the Pentagon can be pretty sure of winning any battlefield engagement that presents itself in Iraq. But the military also appears to be without political progress, they'll have to fight the same battles again and again. And in the classic dynamic of occupation, insurgency and counterinsurgency, the past week has served as a reminder that fighting those battles always raises the risk of losing the peace by turning even Iraqis who don't support the radicals more and more firmly against the U.S. Whatever the battle plan for Fallujah, the Bush...

Author: /time Magazine | Title: What We Learn from Fallujah | 4/12/2004 | See Source »

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