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...from people who agree with his populist-lefty agenda. No, they pay to see him play "Michael Moore": a heavyset fellow with a doofus grin, alternately laughing and badgering but perennially at the center of attention. For all his girth, Moore fits the mold of the little guy in classic Hollywood movies. Like Jefferson Smith and Rocky Balboa, he bucks the odds and takes on the power élite: the gun lobby in Columbine, the occupation of Iraq in Fahrenheit, the health-care industry in Sicko...

Author: /time Magazine | Title: The Entertainer | 10/5/2009 | See Source »

Overall: A. Great character development. The strongest collection of musical numbers since the pilot. This episode is going to be a classic when we look back...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

...since the days of President Daniel arap Moi, a classic African "Big Man," has the U.S. been so tough on Kenya. The latest salvo came on Sept. 24, when Washington threatened to ban 15 senior officials from the U.S. for their failure to push through reforms after bloody post-election violence in early 2008. Even worse for a cash-strapped Kenya, the U.S. promised to scrutinize the government's requests to the International Monetary Fund (IMF) and the World Bank. This is not the close friendship that Kenya had in mind when Barack Obama, a man whose father was born...

Author: /time Magazine | Title: The Talk of Kenya: What Does Obama Have Against Us? | 10/1/2009 | See Source »

...After moving to Hollywood, he made his first U.S. feature, Rosemary's Baby (1968), a now classic horror film adapted from Ira Levin's best-selling novel about a woman who discovers she has had a demonic child...

Author: /time Magazine | Title: Fugitive Filmmaker Roman Polanski | 9/28/2009 | See Source »

...visibly lacked ambition, an inexcusable failing in a band that had once sought to change the world. Increasingly, Pearl Jam were out of sync with the wider marketplace and with the zeitgeist of contemporary rock. As grunge died, they responded by moving into the past, absorbing the traditions of classic rock. The group’s eponymous album was an attempt, in part, to recreate their grunge roots; it was dominated by lean, brief, hard rock songs, but though it attracted some moderate critical approval it soon faded away, having failed to excite even the faithful. With this background...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Pearl Jam | 9/25/2009 | See Source »

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