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...which airs on Saturday mornings, is directed at children ages 6 to 11 and features an eclectic mix of music that doesn't condescend to kids (its unofficial motto: No Raffi Ever). The Greasy playlist roams from rockabilly to lullabies, from the funky rock group Yo La Tengo to classic Elvis. "We felt like the kid stuff out there was pretty bland. There was no sense of the alternative," says Miller. "It's definitely a little nutty, a little offbeat. We felt like, 'If we play it, they will come.'" And they have. Greasy Kid Stuff has seen...

Author: /time Magazine | Title: Families: Radio Days | 8/26/2002 | See Source »

...these culture-shocked scholars myself. At that time, the only Western choice available was McDonald's. What we would have given for the Skyways Bakery in my day! This inconspicuous caf? and deli is tucked among the Chinese restaurants and vendors lining West Hankou Street, offering classic homesickness remedies such as roast beef sandwiches and Italian ice cream sundaes...

Author: /time Magazine | Title: Short Cut | 8/26/2002 | See Source »

...quatrains, limericks and occasional jeremiads. While other boys wore their Captain Video T shirts, Howdy Doody kerchiefs and other haberdashery, I sported my Ogdennashery. I found that I could make the most obstreperous classmate behave By reciting a Nash limerick, like this laundered rewrite of the old locker-room classic about the hermit named Dave...

Author: /time Magazine | Title: That Old Feeling: Ode to Ogden | 8/22/2002 | See Source »

...Complete Crumb Comics" volume 16 (Fantagraphics Books; 128pp.; $18.95) continues a series of annual books that seeks to include every scrap of Crumb's work in chronological order. Even better, "Mystic Funnies" number three (Fantagraphics Books; 32pp.; $3.95) contains all new material in each of Crumb's classic styles...

Author: /time Magazine | Title: The Return of Robert Crumb | 8/20/2002 | See Source »

...supporting stories have a much sharper bite, including a return to his painfully confessional autobiographical style. A classic example appears in the latest "Complete Crumb." "Footsy," rendered in a dramatic chiaroscuro, tells of his teenage encounters with the feet of various "lusty creatures" at school. For the new story, "Don't Tempt Fate," Crumb has abandoned the rich blacks that characterized this part of his career in favor of a crosshatching technique that captures every ripple of flesh and clothing. "Fate" tells the story of how a playmate accidentally smashed Crumb's mouth, leaving him with an absurd, gap-toothed...

Author: /time Magazine | Title: The Return of Robert Crumb | 8/20/2002 | See Source »

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