Word: classing
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Dates: during 1970-1979
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...wall in the wrecked offices, the brigatisti left behind a spray-painted Slogan: TRANSFORM THE FRAUDULENT ELECTIONS INTO A CLASS STRUGGLE. There was little doubt that they intended to keep on raising havoc right through the six-week campaign. Next day Christian Democratic offices and leaders were attacked in Naples, Genoa and Rome...
...important role in the campaign. Though married to Bucaram's niece, he distanced himself from his radical mentor by scrapping the slogan he used last summer: ROLDÓS IN OFFICE, BUCARAM IN POWER. Roldós' moderate image won over the small but growing middle class. He gained the support of poor peasants and Indians (33% of the population) by pledging to include them in the modest prosperity produced by the export of oil and bananas...
...American Game breaks the news that ghetto blacks are poorer than middle-class whites. We also learn that basketball teams play to win, that coaches can be tough taskmasters, that pretty girls and college recruiters fawn over the best players. If these tedious observations were served up in an interesting way, the movie might at least offer some entertainment. No dice. The American Game is a survey of film-making clichés. There are soupy graphics, split-screen effects, a platitudinous narration. The editing is so splintered that even the few potentially good scenes, those set at the heroes...
America's first world-class musician, Louis Moreau Gottschalk, built a precocious career on three isms: romanticism, pianism and giganticism. He had the dazzling keyboard technique of his European contemporaries, Liszt and Chopin, and a languid, aristocratic sexuality as well. Women vied for the white gloves he tossed aside before sitting down to play-and often for other favors afterward. His recitals, heavily laced with showpieces of his own composing, catered unabashedly to the florid, sentimental taste of the day. On occasion he disdained using one piano where ten or 14 would do. During the years before his death...
...addition to linguistics, history and psychology, Wylie teaches his class dance therapy to help them pick up le rythme of French body language. "If you're off rhythm, it interferes with communications," he says. "I think of communication as a dance between two people. Sounds are often just the music to accompany the communication that takes place." That is why so many American tourists, fresh from Berlitz, get blank stares in France instead of directions: they understand the words but not the music...