Word: classing
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...Wood what the passage meant. He leans back chuckling in his chair before reassuringly answering, “Oh, I don’t have much to say about that bit. I’ve just always found it a good laugh.” Looking back on the class, I now realize Wood’s response is the most genuine reaction to the passage...
...more annoyed than charmed by these recitations. I felt these comic details contributed very little to the analytical understanding of a novel; the excerpts gave a sense of a writer’s prose style, but ultimately they were nothing more than amusing diversions to give the class a few laughs before tackling the real issues of a book. I soon found I was wrong...
...acclaim in 1958, and it can’t seem to decide which side of that genre line it falls on. Despite a few missed notes, the cast very nearly reconciles these two disparate halves into a cohesive whole that entertains while confronting serious questions of family, responsibility, and class...
Divided by class, culture, and aspirations, the four are engaged in a constant struggle of wills, mercilessly manipulating each other for personal gain. “This isn’t a family,” Clive declares in one of the play’s more melodramatic moments, “it’s a tribe of wild cannibals. We eat everything we can.” The arrival of Walter—a young German tutor who embodies the tormented intellectual that Clive aspires to be and the cultivated manner Louise values so highly—urges...
...script, as well as his pertinence to college students, places Clive firmly in the central role, but the other four cast members provide ample support. Koo has exceptional chemistry with Kramer, and Perron affects the earnest but obviously artificial upper-class airs of Louise with panache. While the cast occasionally misses the script’s dramatic peaks, especially in the slow-boiling first act, by the play’s climatic moments they’ve settled into their characters. As the simmering tension finally explodes, Madoff and DaSilva in particular provide a deeply affecting finale that gets...