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Courses such as Culture and Belief 12 can compel its students to come to an individualized understanding and expression of a certain art. For that reason, the class and others like it are not for the faint of heart. As Professor Asani says: “Those [Harvard students] who are afraid of taking a risk are not likely to take a course like this, but the students who are open to challenging themselves would find this course rewarding.” Peyton G. Greenside ’11, a student in the course, agrees. “I really...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Exposing the Risk-taking in Art-making | 4/27/2010 | See Source »

Literature and Arts B-85, “American Musicals and American Culture,” taught by Professor Carol J. Oja, will be featured in the event, focusing specifically on a visit to the class by Lin Manuel Miranda, writer and composer of “In the Heights.” Miranda’s visit was documented on film and will be presented at the event. Miranda was an invaluable addition to the class, according to course participant Margaret E. Johnson ’11. “I thought it was one of the best classes...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Exposing the Risk-taking in Art-making | 4/27/2010 | See Source »

Culture and Belief 12, “For the Love of God and His Prophet: Religion, Literature, and the Arts in Muslim Cultures.” will also be showcased at “Art-making=Risk-taking.” Taught by Professor Ali Asani, students in the class experiment with differing media traditional to the Islamic world, such as calligraphy, mosque design and Islamic poetry. According to Asani, focusing on a more interactive and personal way of understanding Islamic art and culture is unusual and not without its challenges, but ultimately successful. As he says...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Exposing the Risk-taking in Art-making | 4/27/2010 | See Source »

...Backstage, I watched all the dancing and I was like, ‘This is so cool!’ I didn’t know people danced like that. I came back the next semester and enrolled in every dance class Harvard offered regardless of prerequisites, and that was it,” Quinn says...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

Quinn admits to feeling out of place initially in some of these courses. “I had to walk into classes with people who had been dancing for 14 years and stand in the back and basically feel like an asshole because they all knew what they were doing and I didn’t,” he says. “It sucked. But it’s just that I have no shame, so I did it anyway. Now I can stand in the middle of the class and be somewhat mediocre...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

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