Word: classless
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Dates: during 1970-1979
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...organization in terms of a "social ladder." What if the next step in human evolution is a "social net" instead, an organization based on cooperation and altruism rather than a struggle for individual survival? What if we can build a society which emphasizes human diversity and not inequality, a classless society which appreciates all aspects of the human experience? Fetin C. Kafatos Prolessor of Biology
...every age, egalitarians have pursued the ideal of a classless society achieved through freedom of opportunity. Now a Harvard professor of psychology has branded the ideal a chimera. On the contrary, says Richard Herrnstein, educational equality and unrestricted social mobility will lead to a stratified society of hereditary castes...
...ruling culture, in destroying the primacy of bourgeois humanism. Godard has undertaken this task politically by creating dialectical confrontations with the mystified, "larger than life" Hollywood image. He launches a direct, ideological attack, using the cinema as a two-dimensional "blackboard" to counter the "in-depth," "universal" presentation of classless "Man" in bourgeois films. The technological advent of sophisticated, depth-of-focus lenses in the '40's made possible a new reactionary genre that dominates Hollywood today (or vice versa, as Godard would note: "the invention of photography: for whom? against whom?"-an advance determined by class relations, a perfection...
...would redesign the society more or less to my own views. I'm in favor of a classless society. The reason is that I regard the problem as essentially one of bureaucracy rather than of capitalism. It's the bureaucratic power we're really involved with, rather than the ultimate power of capitalism...
...ruling culture, in destroying the primacy of bourgeois humanism. Godard has undertaken this task politically by creating dialectical confrontations with the mystified, "larger than life" Hollywood image. He launches a direct, ideological attack, using the cinema as a two-dimensional "blackboard" to counter the "in-depth," "universal" presentation of classless "Man" in bourgeois films. The technological advent of sophisticated, depth-of-focus lenses in the '40's made possible a new reactionary genre that dominates Hollywood today (or vice versa, as Godard would note: "the invention of photography: for whom? against whom?"-an advance determined by class relations, a perfection...