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...Strip has another king now. Since 1993, with the opening of Mystère, the Montreal-based Cirque has come to dominate Vegas entertainment with such theatrical extravaganzas as the water show O and the martial-arts epic Ka--pieces that in scope and technical éclat are to the typical Broadway show what Avatar is to the 1933 King Kong. In 2006, Cirque pulled off a Beatles homage, Love, but that was sedate stuff next to this audiovisual-balletic-acrobatic explosion from director Vincent Paterson and "director of creation" Armand Thomas. They've concocted an experience that's both symphonic...

Author: /time Magazine | Title: Viva Viva Elvis! | 2/22/2010 | See Source »

...rankled that the top prize and headlines went to a foreign movie, the feeling may be similar on the Indian subcontinent, where Slumdog's box office take hasn't even approached that of any robust local film. As pleased as they might be about the picture's international éclat, the folks in Mumbai also realize that the first "Bollywood" production to make a major impact at the Academy was written, produced and directed by Englishmen - subjects of the old Raj. In the 1980s, Gandhi, another film about Indians and made by colonialists, took Best Picture. This time the entire...

Author: /time Magazine | Title: Reflections on Oscar: Bollywood Takes Hollywood | 2/23/2009 | See Source »

...Geddes, who assumed the Midnight Madness mantle in 1998, has midwifed the program to further éclat. "The films in earlier days were probably more transgressive," he says, "but now this part of the fest is an acquisition hotbed." Being the hot kid on the block brings its own pressures. As Cowan notes, "Colin is contending with a more difficult situation than I ever did: dealing with major Hollywood studios, major European companies. The richest people in Asia are producing big genre movies and he's got to bat them off with a stick. He probably gets more calls from...

Author: /time Magazine | Title: The Freaks Come Out at Night | 9/12/2007 | See Source »

...journalists, a rigid class system applies. Press passes for movie admittance come in four colors: white, pink, blue and yellow, in descending order of éclat. The white card, the carte blanche, gets you into all screenings early. The pink people have to wait a bit longer. The blues are relegated to the balconies of the larger auditoriums. (Fremeaux, back when he was a journalist, held a blue card.) And the yellows - well, they're there to make the people with blue passes feel better. Somehow, we got lucky. We've carried the white card for ages, and are forever...

Author: /time Magazine | Title: 10 Things We Know About Cannes | 5/17/2006 | See Source »

First period-T. H. Lane and MacDonald (Scott Fusco. Jim Smith) 19:54. Penalities Clat Abrechi, P (interterence...

Author: By Nick Wurf, | Title: Cagers, Icemen Earn Key Ivy Victories | 2/9/1985 | See Source »

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