Word: claudet
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Dates: during 1930-1939
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Best performance by an actress: Helen Hayes (The Sin of Madelon Claudet...
Helen Hayes played children's parts for Vitagraph in 1910 but The Sin of Madelon Claudet, which came after she had been spoken of frequently as the ablest dramatic actress on the U. S. stage, was her first noteworthy venture in the cinema. She had the role of a French peasant girl who takes up with a thief and turns prostitute to support her son. Like Helen Hayes, Lynn Fontanne made her debut in cinema last year and her performance in The Guardsman was one of three nominated for the Academy's award. The third was aged Marie Dressier...
...Brent, Greta Garbo, Ruth Chatterton, Marlene Dietrich and Genevieve Tobin have all in recent pictures attractively performed functions ranging from noble prostitution to carefree concupiscence. A Free Soul, Strangers May Kiss, Susan Lenox: Her Fall & Rise, Once a Lady, Morocco, Body & Soul, An American Tragedy, The Sin of Madelon Claudet, My Sin, The Smiling Lieutenant, Born to Love prove that the typical 1931 cinema heroine is a bad example...
...Champ (Metro-Goldwyn-Mayer) will probably extract more tears than any other cinema made in 1931, with the possible exception of The Sin of Madelon Claudet (TIME, Nov. 9). It is about a broken-down pugilist (Wallace Beery) and his ragamuffin son (Jackie Cooper). There is really only one situation-Jackie Cooper struggling to go on worshiping his father in the face of Beery's unworthy behavior (guzzling, crap-shooting, brawling in bad company) and Beery, shamed at his shiftlessness, struggling to preserve his son's loyalty. Every time Beery gets drunk, gambles away the racehorse which...
...plot is in the same pattern as Madame X and Madelon Claudet. Prom- ising an estranged husband (Geoffrey Kerr) to support a fortuitous rumor that she is dead. Miss Chatterton disappears into the Parisian demimonde. Years later she threatens to reveal that she is still alive and resentful when he refuses to let their grown-up daughter marry. Cinemas in which the climax arrives only with the maturity of the heroine's offspring are likely to be long drawn out. This one, though Ruth Chatterton acts well and ably affects a Russian accent, seems as long as two ordinary cinemas...