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...What the hell, anything she can do I can do.' " What Helen Hayes subsequently did in Hollywood won her one of the little gold statuettes which are the topnotch mark of merit of the Academy of Motion Picture Arts & Sciences, for her performance in The Sin of Madelon Claudet, which Husband MacArthur wrote for her cinema...

Author: /time Magazine | Title: The Theatre: Helen Millennial | 12/30/1935 | See Source »

...Life of Vergie Winters (RKO). Vergie Winters (Ann Hardingj is another of the cinema's unhappy heroines in the same boat as Madelon Claudet, Mary Lane in Only Yesterday and Ray Schmidt in Back Street. Her marathon of discontent starts when she is 20 and shows no sign of stopping when the picture ends with her release from jail, at 42. The man she loves, John Shadwell (John Boles) marries someone else, under the mistaken impression that Vergie has jilted him. Vergie gives birth to an illegitimate daughter named Joan. John and his rancid wife Laura (Helen Vinson) adopt...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 25, 1934 | 6/25/1934 | See Source »

...Madelon Claudet (MGM), Helen Hayes...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 13, 1933 | 2/13/1933 | See Source »

...emerges as a compelling and beautifully imagined piece of work, brilliantly directed by Frank Borzage, acted to perfection by Gary Cooper - whose numb mannerisms are pre cisely appropriate to his role - and by Helen Hayes, whose performance is certainly as good as her work in The Sin of Madelon Claudet which the cinema Academy last month voted best of the year. Benjamin Glazer and Oliver H. P. Garrett, two onetime reporters who wrote the scenario, had the good sense to use chunks of dialog by Hemingway wherever they fitted in. When they had to put in dialog of their...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 19, 1932 | 12/19/1932 | See Source »

Helen Hayes played children's parts for Vitagraph in 1910 but The Sin of Madelon Claudet, which came after she had been spoken of frequently as the ablest dramatic actress on the U. S. stage, was her first noteworthy venture in the cinema. She had the role of a French peasant girl who takes up with a thief and turns prostitute to support her son. Like Helen Hayes, Lynn Fontanne made her debut in cinema last year and her performance in The Guardsman was one of three nominated for the Academy's award. The third was aged Marie Dressier...

Author: /time Magazine | Title: Cinema: Academy Awards | 11/28/1932 | See Source »

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