Word: claudet
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Dates: during 1931-1931
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...Brent, Greta Garbo, Ruth Chatterton, Marlene Dietrich and Genevieve Tobin have all in recent pictures attractively performed functions ranging from noble prostitution to carefree concupiscence. A Free Soul, Strangers May Kiss, Susan Lenox: Her Fall & Rise, Once a Lady, Morocco, Body & Soul, An American Tragedy, The Sin of Madelon Claudet, My Sin, The Smiling Lieutenant, Born to Love prove that the typical 1931 cinema heroine is a bad example...
...Champ (Metro-Goldwyn-Mayer) will probably extract more tears than any other cinema made in 1931, with the possible exception of The Sin of Madelon Claudet (TIME, Nov. 9). It is about a broken-down pugilist (Wallace Beery) and his ragamuffin son (Jackie Cooper). There is really only one situation-Jackie Cooper struggling to go on worshiping his father in the face of Beery's unworthy behavior (guzzling, crap-shooting, brawling in bad company) and Beery, shamed at his shiftlessness, struggling to preserve his son's loyalty. Every time Beery gets drunk, gambles away the racehorse which...
...plot is in the same pattern as Madame X and Madelon Claudet. Prom- ising an estranged husband (Geoffrey Kerr) to support a fortuitous rumor that she is dead. Miss Chatterton disappears into the Parisian demimonde. Years later she threatens to reveal that she is still alive and resentful when he refuses to let their grown-up daughter marry. Cinemas in which the climax arrives only with the maturity of the heroine's offspring are likely to be long drawn out. This one, though Ruth Chatterton acts well and ably affects a Russian accent, seems as long as two ordinary cinemas...
...drums up her trade without ever making the error of playing for the audience's sympathy. The picture is well directed by Edgar Selwyn, splendidly acted by the rest of the cast?particularly by Jean Hersholt as an old physician who, towards the end of the picture, meets Madelon Claudet running away from her son's house...
...Hayes's greatest success was Coquette. The run of that play was terminated by a celebrated act of God?the birth of Helen Hayes's daughter?over which there was an Actors Equity suit. Her husband. Playwright Charles MacArthur (see The Unholy Garden) worked up the script of Madelon Claudet (from the stage play The Lulla-by). A jolly, practical jokester, he once wrote a speech abusing drama critics, gave it to his wife to read over the radio when it was too late for her to change. Helen Hayes is two years younger than the 20th Century; the make...