Word: claudio
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...keyword to both the play and this production is balance. Much Ado, like the other plays in Shakespeare's Renaissance style (as opposed to his Mannerist and Baroque styles), exhibited a good deal of symmetry. The central tragicomic Claudio-Hero plot is balanced by the high comedy of Beatrice and Benedick and the low comedy of Dogberry and Verges. The evil bastard Don John is a foil to his genial legitimate brother Don Pedro; and these young brothers contrast with the older-generation brothers Antonio and Leonato. Don John's two male attendants (Borachio and Conrade) balance. Hero's female...
...balance in the sets and in the play's structure, however, Shakespeare did not achieve balance in the quality of his text. An objective inspection of the script indicates that he seems not to have had his heart in the Claudio-Hero plot he borrowed from elsewhere. His chief achievement in the play are precisely those things he had to invent himself: the witty verbal skirmishing between Beatrice and Benedick, and the portrait of bureaucratic officialdom represented by the malapropistic Dogberry and his sorry crew. (Shaw is about the only person who has denied the wit of the high comedy...
...them potential candidates to succeed Bernstein. They are America's Lorin Maazel, Hungary's Istvan Kertesz, Rafael Frühbeck de Burgos of the National Orchestra of Spain, as well as two men who once served as Bernstein's assistants: Japan's Seiji Ozawa and Claudio Abbado of Milan's La Scala...
...backdrops for his own new production of Verdi's Don Carlos. Ponelle's dark, brooding sets, painted on black velvet to emphasize the somber mood of the drama, suggested El Greco canvases come to life. The naturalistic direction he gave to the expert cast assembled by Conductor Claudio Abbado-and headed by Bulgarian Basso Nicolai Ghiaurov-gave psychological unity to Verdi's knotty tale of neuroticism and political intrigue in 16th century Spain...
...presence is grand although some of her readings could be sharpened in urgency. She and Nancy McGill carry most of the songs, and both deliver the remarkable Hanns Eisler tunes in fine, direct style. David Dunton scores a minor comic triumph as Bullinger, the harried SS functionary, while Claudio Buchwald should be marked as an actor who makes a great deal of some potentially unrewarding bits...