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...only a Shakespearean scholar can chortle over, nor the soliloquies, especially if you are secretly ambivalent about soliloquies.) But Measure for Measure isn't a daisies, quick laughter, jasmine tea affair. It's menacing. Daniel Seltzer's production wasn't menacing enough. We didn't feel oppressed as Angelo, Claudio, the studs, even Isabel fell under the repressive law. So the transformation at the end of the play from life under law to life under grace wasn't a wonder. More routine than relieving...

Author: By Joel Demott, | Title: Measure for Measure | 3/4/1967 | See Source »

...state of public morals, the Duke of Vienna selects Angelo, a man of seemingly flinty virtues, to take full power over the state. He enforces the laws with undeviating severity while the Duke masquerades as a lowly friar. In a fury of purity, Angelo orders a young gentleman, Claudio, to be executed for fornication. Claudio's sister Isabella, a novice in religious habit, pleads with Angelo to show mercy. Suddenly his puritanical iciness melts into lust, and he offers Isabella her brother's life in exchange for her body. Through one of Shakespeare's wrong-girl...

Author: /time Magazine | Title: Theater: Mocking Bard | 2/24/1967 | See Source »

...psych has long been essential in the volatile world of music. In this month's High Fidelity Magazine, for example, Pianist Claudio Arrau tells how analysis helped his playing by "clearing my personal psychic jungle," and contends that no musician is ready to stand on his own until he has first stretched out on the analyst's couch and found "selfhood in harmony with the cosmos...

Author: /time Magazine | Title: Orchestras: Psychic Symphony | 2/17/1967 | See Source »

This weekend Harvard and the Juilliard School of Music collaborated on a Loeb production of two "experimental" works of musical theatre, one from the 1620's and one from the 1960's. The first of these, Claudio Monteverdi's II Combattimento di Tancredi e Clorinda, is a kind of stage cantata. A narrator describes and comments on a fight between Tancredi and Clorinda, while they act out the battle, occasionally singing a phrase or two themselves. In this production, Robert Jones as the narrator, Alan Titus as Tancredi, and Evelyn Mandac as Clorinda all sang excellently, although some of Miss...

Author: By Robert S. Coren, | Title: Monteverdi and Berio | 1/16/1967 | See Source »

...cases of assault or murder, the police are apt to stall, witnesses to forget, and prosecutors to drop charges. Thus, Manila barely blinked recently when two well-dressed bucks shot and killed a man outside a brothel, and fled in their car. Then, surprise. Under Secretary of Justice Claudio Teehankee almost immediately produced one of the suspects - his own son, Roberto, 24. "I've been urging prosecutors to let the chips fall where they may," explained the intense, crusading Teehankee. "I simply had to practice what I preached...

Author: /time Magazine | Title: The Law: Public Unsafety | 12/30/1966 | See Source »

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