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Word: clauses (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...interaction of the black man and the black woman has not been explored at all and needs to be." In the meantime, the series will, as in the Dec. 24 episode, wallow in lesser issues like Corey's argument with a neighbor boy about whether or not Santa Claus is white. Title of the segment: "I'm Dreaming of a Black Christmas...

Author: /time Magazine | Title: Programs: Wonderful World of Color | 12/13/1968 | See Source »

...This amiable but unmemorable release-recorded live at Manhattan's Bitter End cafe -indicates that it may be some time before Guthrie matches Restaurant again. Meantime, his satire may not bite but it nips playfully, and his comic drawl is impeccably timed. The Pause of Mr. Claus begins with a monologue spoofing the FBI, launches into a song about how Santa Claus is suspect because of his red suit and long hair, ends with the refrain: "Why do police guys beat on peace guys...

Author: /time Magazine | Title: Television: Nov. 22, 1968 | 11/22/1968 | See Source »

...Later, on the same flight, he reported that he had sighted "an object" going into polar orbit. "Stand by," said Schirra, "it looks like he's trying to signal us." He then whipped out a harmonica and began to play Jingle Bells. The UFO, of course, was Santa Claus...

Author: /time Magazine | Title: Science: The Two Schirras | 10/25/1968 | See Source »

...legs than a contortionists' convention. Most space scientists believe in Murphy's Law: "If something can go wrong, it will go wrong, and at the worst possible time." Is there really a Professor Murphy? Answers one California scientist: "Sure, just like there's a Santa Claus...

Author: /time Magazine | Title: Essay: THAT NEW BLACK MAGIC | 9/27/1968 | See Source »

Leonine Shepherd. "These drawings are often surprisingly modern," observes Claus Virch, the Met's curator of European painting. "There is an expressiveness to them not found in the fresco." In some cases, a comparison of the sinopia with the fresco has revealed surprising differences. The sinopia beneath Andrea del Castagno's muscular St. Jerome [on this page and opposite] is no more like the finished fresco than the youthful Dorian Gray was like his aging portrait. The sinopia shows a handsome young man; the fresco, a gnarled and suffering ascetic. The difference is so striking that Princeton...

Author: /time Magazine | Title: Art: FRESH FROM THE CLOISTER WALLS | 9/27/1968 | See Source »

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